Word: iconic
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Windows 95 has also straightened out some of the most annoying aspects of everyday computer use, from plugging in a new printer to communicating over a tangled corporate network. On Windows 95, you can instantly see the whole network just by clicking twice on an icon labeled Network Neighborhood. That brings up a map of all the computers in the "neighborhood,'' which you can get into simply by clicking on them (provided you have the necessary passwords). This may not sound like much, but when corporate network administrators see it, they will think they have died and gone to computer...
...begins with one extraordinary icon-an odd word for a painting of a cabbage, a quince, a cut melon and a cucumber, but no other will quite do. It is by Juan Sanchez Cotan (1560-1627), a painter from Toledo who is known by only a few works, all of which are remarkable for their careful, precise, yet unpedantic construction. This is one of the finest. No still life was ever so still. The black space behind the framing window looks infinitely deep; two of the objects (the slice of melon and the yellow tip of the cucumber) stick...
...Elephant (whose charred remains and untarnished tail can still be found at Tufts). Barnum was indeed a legend in his time with his constant attractions, frauds and hoaxes. He has become a central figure in any study of American popular culture, and is as much an American cultural icon as the Statue of Liberty or Marcia Brady...
Undeniably Elvis is king, but the Onion Weaver's Puppetry reveals him to be a prophet and cultural icon in a way few other media could. Using a multi-level multimedia approach, we guffaw at the professor puppet's scholarly analyses and the confessions of Elvis' sideburns. The live Blue Hawaii scene and the Graceland tour guide, though not puppets, are also side-splittingly funny. Frequent gifts flung to the audience accentuate the notion of Elvis as paraphernalia and keep everyone happy...
Correspondent Pat Cole obtained one of only two interviews granted by the family of Baylee Almon, the one-year-old infant whose picture, taken as she lay cradled in a fireman's arms, has become an icon of national trauma. Cole, who usually reports for Time out of Los Angeles, has interviewed survivors of earthquake, fire and anarchy. "The only way to talk to people in that state is to let them know you have total sympathy for them," he says. "In this case, believe me, it wasn't hard...