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Word: iconic (lookup in dictionary) (lookup stats)
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...Bernard Shaw. It is not an easy task. For one thing, Shaw himself spent a long lifetime creating his own image. Just where the real Shaw ends and Shaw's Shaw begins is hard to discover. The great Victorian iconoclast, moreover, survives today mainly as a great Victorian icon - the last best literary ornament of the age he helped to destroy...

Author: /time Magazine | Title: Books: The Greatest Shaw on Earth | 9/5/1969 | See Source »

Anyway, Hieronymous, the main character, is a movie star, writer, and every other kind of icon, who, at the beginning of the movie and sporadically throughout, is shown unreeling the rushes of a film autobiography (by chapters) in front of his grandmother and children. He is forty while this is happening; his birthday was yesterday. Mercy was longer ago than that, before his impregnation of and marriage to Polyester Poontang--but she haunts the film, nevertheless. The film has been made as a sort of sexual monument, with poetic love introduced only occasionally, each time in Mercy's image...

Author: By Thomas M. Caplan, | Title: B-School Boy Meets 'Virgin Sex' | 5/9/1969 | See Source »

...Greek patriotism and serve as town halls where local problems can be threshed out and the people protected from the world below before they reach the haven of heaven above. The Premier has already remembered his church at Elaiohorion by giving it new pews and a lectern, an icon stand and a bishop's chair. Pattakos' sister Irene, who still lives in Aghia Paraskevi, recalls their religious upbringing. "Mother taught us to make the sign of the cross before sleeping. My brother not only made the sign before his face but also on his pillow. I used...

Author: /time Magazine | Title: World: WHY GREECE'S COLONELS ARE THAT WAY | 4/18/1969 | See Source »

...groove, plainly sacrificing editorial cleanliness for dramatic punch. Petulia's occasional messiness is much to Lester's credit: the film ends at least six times in its attempt to chronicle a relationship realistically, but just before its strange construction becomes irritating, the real last shot appears--a chilling icon justifying most previous excess. George C. Scott, never my favorite actor, turns in a magnificent performance, as does Shirley Knight as his estranged wife...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

PHOTOGRAPHY also serves humor. In "Miss American Icon" he "throws" photographs of a cross, and a star-shaped cutout of a face into a funny hand-scrawled wastebasket. The caption for this clever mixture of media is "old symbols...

Author: By Deborah R. Warhoff, | Title: McClelland | 12/13/1968 | See Source »

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