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...Modicum of Courage. Eastern Europe's breakaway from Russian rule began in 1956, when Nikita Khrushchev denounced Stalin at the Soviet 20th Party Congress in his seven-hour "secret speech." By cracking the icon of invincibility that had held Russia in thrall, Khrushchev also unlocked-unwittingly-the forces of Eastern European nationalism. Says one Washington observer: "Nationalism is the strongest force in Eastern Europe today, stronger than ideology, stronger than the Communist parties themselves." Columbia's Kremlinologist Zbigniew Brzezinski puts it flatly: "East Europe is where the dream of Communist internationalism lies buried...

Author: /time Magazine | Title: Eastern Europe: The Third Communism | 3/18/1966 | See Source »

...erect military bearing rode into the Siberian outpost of Krasnoufimsk on a white horse. He carried his right hand on his hip in the manner of the late Czar; he spoke fluent French and a kind of Russian that was half church-Slavic, half Latin; he carried an icon with the initials A.I. The peasants began to wonder if this might not be Alexander the Blessed. When the stranger, who gave his name as Fyodor Kuzmich but could produce no papers to prove it, was sentenced to 20 lashes for vagrancy, a strange thing happened. Out from Moscow rode Grand...

Author: /time Magazine | Title: Russia: The Czar Who Wouldn't Die | 11/26/1965 | See Source »

...Mexico, depicts with barebone simplicity her lyric view of "my country−terrible winds and wonderful emptiness." Even more sharp-focused was Charles Demuth's I saw the Figure 5 in Gold, with its exulation of typography and kaleidoscopic street imagery, is now revered as an icon...

Author: /time Magazine | Title: Painting: The National Quest | 9/24/1965 | See Source »

...Russian icon with its blank-eyed stare and stiff frontal figures was, next to shop signs, the art he knew best. Those Eastern images lean away from pictorial realism toward symbolism, and he loved them, as he says, because they are both "magical and unreal...

Author: /time Magazine | Title: Painting: Midsummer Night's Dreamer | 7/30/1965 | See Source »

...exciting in his own right. Even the commonplace cliché of General George fording the Delaware looks good beside a giant representation of a Campbell soup can. The crucial difference is that Rivers, unlike the pop artists, does not leave his subject matter standing alone as a cool icon supposedly full of a magic banality. Rather, he espouses historical nostalgia, family relationships and concern for human tragedy. He is even a compulsive portraitist...

Author: /time Magazine | Title: Art: The Quipster | 4/16/1965 | See Source »

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