Word: iconoclasm
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Dates: during 1990-1999
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...courage, Mother Teresa's selflessness, Marilyn Monroe's exuberance, Pele's superhuman skills, Anne Frank's immortality. And the parables: the Kennedy melodrama, the latter-day silence of Muhammad Ali, the brutal grace of Bruce Lee's art, the all-too-human Diana, Lindbergh's dalliance with Hitler. Iconoclasm is inherent in every icon, and heroes can wear different faces in the afterlives granted them by history and remembrance...
...always so beloved in town--in the 1890s, it was proposed that a sign above the rear of Symphony Hall should read "exit in case of Brahms." No one ran for the door, however, as Haitink masterfully mustered a grandiose yet precise reading. At the risk of iconoclasm, his technique is much clear and less irksome than Uncle Seiji's. To be fair, however, the first movement lost focus en route to the slinky final recapitulation...
...always so beloved in town--in the 1890s, it was proposed that a sign above the rear of Symphony Hall should read "exit in case of Brahms." No one ran for the door, however, as Haitink masterfully mustered a grandiose yet precise reading. At the risk of iconoclasm, his technique is much clearer and less irksome than Uncle Seiji's. To be fair, however, the first movement lost focus en route to the slinky final recapitulation...
...modernist aesthetic just because it is considered contemporary; don't think "Michel Foucault does orchestral music." Rather, the composer opts for the "Reconstructionist" aesthetic--the program notes state, "Koehne has moved towards an affirmation of traditional values and a vital opposition to what he sees as the sham iconoclasm of the avantgardist attitude." In particular, Elevator Music was inspired by the integration of jazz and popular music into orchestral music. But the piece sounds more like film music than a symphony. Koehne calls his piece a contemporary homage to the music of Les Baxter, Henry Mancini and John Barry...
Sluggers like McGwire--batters who swing for the fences four times a day and damn the torpedoes--are, pardon the iconoclasm, a dime a dozen. Second-rate ballplayers like Dave Kingman, George Foster and Cecil Fielder have put up roughly comparable numbers with exponentially less hoopla...