Word: iconoclasms
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Dates: during 1970-1979
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With Bobby Kennedy passing and Eugene McCarthy licking his wounds, the United States, in 1968, was forced into a new age of political iconoclasm. No "image-maker" can make much of what serious presidential timber we have left. McGovern, who is the nicest of the bunch, and Lindsay, who is the handsomest, have little fire to offer compared to the heat generated by either the Kennedy or the McCarthy campaign. Shirley Chisholm, whose personality is far more electrifying than any other candidate's, is unlikely to get the kind of money or delegate support needed to be elected president...
...religious art. The treasure of St. Leonard's was saved by the obscurity of its village; it was not looted during the interminable wars that rolled back and forth across the lowlands from the 16th century to the 20th century, and it was spared the fury of Protestant iconoclasm. The result is the finest intact collection of religious Flemish carving from the 12th to the 16th centuries that can be found anywhere...
...thing, sure, but it's also more than that. Rags's call to revolution is really more of a nostalgic attempt to return to the nineteenth century. It's a clarion call reverberating with notes of simplistic iconoclasm, Emersonian self-reliance, a Thoreauvian communion with the land, and, ironically enough, a championship of the small businessman. Spelt out in those terms, it's just not that revolutionary. More like Consciousness I in bell-bottoms. Which means that where Rags is at may be just about midway between the late Herbert Hoover and the early Yves St. Laurent...
...uncertainties), he is at his bluff best. But the crotchety professor can also be dull. His strident common sense often sounds simply pompous; and his habit of describing imaginary conversations seems contrived. Parkinson's biggest problem is best described in another law as yet unelucidated by the master: iconoclasm amuses in direct proportion to its originality...
...Great American Dream Machine is the most ambitious series since they turned off the electricity at the old Public Broadcasting Laboratory in 1969. The show, produced by NET, combines elements of the CBS newsmagazine 60 Minutes and NBC's Laugh-In, with a useful admixture of iconoclasm. It goes those shows some better by eliminating the anchor men and hosts. Instead, items are bridged by enchanting graphics, nostalgic film and a very droll score...