Word: iconoclasms
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Dates: during 1970-1979
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...hate relationship with the motion picture viewing audience, scolding an "out" director like Huston for attempting to insure their recognition of the tensions in Reflections in a Golden Eye, but scolding them when they fail to show up for the latest Bresson. The enemy is everywhere; thus does armchair iconoclasm reach new heights of tired antagonism...
From this mixture of Old World outlook and New World recruits arose the quality that most distinguishes the ABT today: a meaningful eclecticism. From the start, the great European classics were produced with a breezy American iconoclasm that seemed to thumb its nose at "ballet" in favor of "theatre." That spirit bubbled to a boil in April 1944, when Robbins performed in his own Fancy Free, the first American dance classic to achieve wide popularity. The company has never been dominated by a single choreographer-as is George Balanchine's New York City Ballet-or a single choreographic outlook...