Word: iddings
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Dates: during 1960-1969
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...gotta dose of id diff, take a whiff, whacha gonna do, put me in the zoo?" Prescription: "Two years at the front will make a man of you, give you a sense of direction, purpose, and leadership skills." (The New York Times is helpful here and notes that an overwhelming majority of those who have been under fire say that they have benefitted from the experience and are more confident because of it. Note, that there is no mention that the poll was administered only to those who survived...
...destiny. "In apprehension, how like a god" is not casual Elizabethan rhetoric, but the supremely assured recognition that man is the noblest, grandest creature that walks the earth. And what does contemporary U.S. society say of the stature of man-how like a naked ape, how like an irrational id, how like a punch card in a computer? In the vertiginous distance between those views, one can read contemporary U.S. drama's petition in bankruptcy...
Wacholder (Id?) tries various methods of getting rid of Wurz (Superego?): threatening letters, "nerve foam," a mass meeting to declare Wurz's nonexistence. Despite his increasing terror, Wurz refuses to leave. Eventually, he is turned into a domesticated animal by his wife and homosexual sons; Wacholder digs a hole in the sand and buries himself. Whether this symbolizes the end of the world, the decline of the West, or simply the end of the play, it comes as a relief...
...praised the striking smalltown, big-name architecture (including work by such distinguished designers as I. M. Pei and the late Eero Saarinen). At Ironwood, Mich., she dedicated a park. At Avoca and Spring Green, Wis., she toured a dairy farm and chatted with the widow of Frank Lloyd Wright. ID. Madison, after spending the night with Republican Governor and Mrs. Warren Knowles, she talked to 3,000 youngsters attending the World Youth Forum of the World Food Exposition. Then she flew back to Washington...
There is nothing really gay about his deceiver. As played by Ugo Tojnazzi, he is a victim of his own capacity for compassion; it saddens him that all three of his families cannot be unit-id-not for convenience' sake, but for love. Instead of heaving a sigh of relief when Marisa leaves him to go home, Sergio pursues her-and gets beaten up in rescuing her from her angry peasant family. Though his premiums are soaring, he insists on taking out equal insurance policies for all three women. To make ends meet, he begins moonlighting as a jazz...