Word: idea
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Dates: during 1930-1939
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...apple butter, butcherin and all them chores we used to do down on the farm in Indiany. The old purplish-brown apple butter used to come thru them hole in the paddle like somethin it aint so pleasant to think about, but just the same that ain a bad idea of yours. If they has organizashuns for folks that used to pump pipe organs, why not ? But don't you think then orter be a requirement that you had to turn the peeler the night before for the wimmen folks who cored and sliced them apple? Those slicers...
...little over a year ago while crossing a street in San Francisco, an automobile came around the corner striking me from the rear and putting me through a perfect somersault. I did not have the slightest idea as to what happened until I came to in the street some moments later, in rather a bloody and dirty mess. In relating this incident afterwards-it seems that we must all tell of our operations and accidents-I have stated that there is only one word that can describe the sensation and that was one from the comic strip, namely: "WHAM...
...Vittorio Mussolini, 21, married and a veteran bomber of Ethiopian villages, has been excited about the cinema for over a year. But the original idea for this latest of Fascist corporations belonged to neither Vittorio Mussolini nor Hollywood Producer Hal Roach. It belonged to an earnest Italian, Dr. Renato Senise, nephew of the chief of Rome's secret police and son of an Academician. To Hollywood he went over a year ago fired with his pet idea, the production of full length cinema operas in Italy where tenors are as plentiful as olives. There he met Producer Hal Roach...
Back to Italy a few months ago went Dr. Senise to tackle the then head of Fascist films, Luigi Freddi, in the expensive Cinema City that II Duce has built outside Rome. To Filmtsar Freddi the idea of cinemoperas seemed "too big, too beautiful" for Italy. Piqued Dr. Senise went immediately to Vittorio Mussolini, who carried the plan just as quickly to papa...
...four or five sides of phonograph records, to present the strife between Montagues & Capulets, the love between their offspring, the appearance of Friar Laurence, the death of the lovers. By cutting whole pages of repetition and development, Conductor Kostelanetz will give casual listeners this week a pretty good idea what Tchaikovsky was driving at in only 285 sec. flat. Likewise the overture to The Barber of Seville will be reduced from 7 min. to 1½ min. and the late George Gershwin's 16-min. American In Paris will be streamlined to 4½ min. Baritone John Charles Thomas...