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Word: idea (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Other companies have used the single-policy idea and door-to-door peddling. They have even copied Penn Life's presentation-and have done less well. The company's personnel policy is more difficult to duplicate. As Beyer says: "From the minute we hire a man, he is in our house for the rest of his life-he, his wife, his children, his dreams become our responsibility. There is no firing in this company. A man has to be a thief to be fired...

Author: /time Magazine | Title: Selling: If Nobody Loves You, Your Company Will | 12/5/1969 | See Source »

...death revives involuntary memories of the Zapruder film. The coincidence of alleged complicities recalls the farther shores of Jim Garrison's New Orleans fantasies. But essentially Z is grinding its ax not for politicians but for politics. Tyranny is always better organized than freedom; beneath the idea of order-in Eastern Europe, says the film, as well as in Greece-truly anarchic forces are loosed upon the world. The Greek letter Z is a symbol for "he still lives." In this case, Z refers to the murdered Deputy. But it is also the spirit of revolt against a stifling...

Author: /time Magazine | Title: Cinema: Echo Chambers of Horror | 12/5/1969 | See Source »

...first meeting that they would have few props, no scenery as such, no make-up, generally implying that they themselves would have to create any and all effects they might want, using their own bodies and voices. I also said that I, probably as much as they, had no idea how the production would...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...stage management and technical crew, as well. The idea was to evolve everything connected with the show simultaneously, as opposed to the conventional manner of presenting the cast with a drawing of their set and costumes at the first meeting...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

...film, an actor can do something without much physical projection and it can be compelling. On stage this is impossible, and a realization of this means going back to the original Greek idea of the actor's power, which in its turn is based on a certain dimension of ritual...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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