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Word: ideale (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Holcombe's ideal for the United States was Aristotle's Polity. "He viewed politics as a moral endeavor," Samuel H. Beer, the present Eaton Professor of the Science of Government, said yesterday. "He had a great deal of restrained moral passion...

Author: NO WRITER ATTRIBUTED | Title: Holcombe Dies | 12/14/1977 | See Source »

...exemplary environment: Lissitzky's Proun Room, Van Doesburg's project for a university hall, Schwitters' Merzbau, Kandinsky's music room, and so on. Nevelson's palace is of their company. Yet its motives are not didactic; they are closer to folk art, to the "ideal palace" made from junk by the French postman Cheval from 1879 to 1912, or the Watts Towers built by Simon Rodia in Los Angeles. Collection, repetition, unification: these are the elements of Nevelson's poetic but wholly sculptural sensibility, and this time they have produced a masterpiece...

Author: /time Magazine | Title: Art: Night and Silence, Who Is There? | 12/12/1977 | See Source »

...books. "I don't consciously seek out subjects for their expertise," he says. "But people who are experts at something put a lot of effort into becoming experts. I am attracted by their single-minded drive." In pursuit of his own expertise, McPhee has become an ideal McPhee subject...

Author: /time Magazine | Title: Books: Well-Done Alaska | 12/5/1977 | See Source »

...popular as Scarpia in Tosca and as Don Giovanni. Despite his success, he complained that "this business of dressing up in a silly costume, putting on a wig and paint on the face and getting killed or poisoned or drunk every night" made for a less than ideal profession...

Author: /time Magazine | Title: Milestones, Dec. 5, 1977 | 12/5/1977 | See Source »

...Berger remarked, the force of gravity was to Courbet what the vibration of light was to Monet and the impressionists. He could put more death into a trout, hooked and flapping on the pebbles, than Raphael could inject into a whole Crucifixion. Courbet's flesh was not an ideal substance, like the flesh of Ingres or Meissonier. Rather, it was weighty, carnal and real. It could be smoothed by relaxation, as with the sumptuous lesbian couple in Sleep, 1866. Or it could be pinched and chapped, like the mourners' faces in A Burial at Ornans, 1850. The nude...

Author: /time Magazine | Title: Art: Courbet: Painting as Politics | 12/5/1977 | See Source »

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