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Word: idealisms (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Such success in the Ivies--in which chemistry labs often take place before practice laps--breeds suspicion, and concern that the scholar-athlete ideal is slipping. Harvard is no exception...

Author: NO WRITER ATTRIBUTED | Title: It's Brains vs. Brawn | 7/16/1985 | See Source »

America is a country that endlessly reinvents itself, working the alchemy that turns "them" into "us." That is the American secret: motion, new combinations, absorption. The process is wasteful, dangerous, messy, sometimes tragic. It is also inspiring. The story, in its ideal, is one of earthly redemption...

Author: /time Magazine | Title: Immigrants Like Those Who Came Before Them | 7/8/1985 | See Source »

...does all that make Berri, leader of the Shi'ite Amal militia, the ideal man to negotiate release of the American hostages? Not by a long shot. President Reagan declared last week, with a snap of his fingers, that Berri "could be the solution that quickly." Berri, however, seemed closer to the mark when he told CBS's Dan Rather that he was in "a very delicate situation." He seems, indeed, to be a man riding a tiger, a leader scrambling to talk and act as radically as his followers...

Author: /time Magazine | Title: The Improbable Warlord | 7/1/1985 | See Source »

...with a vision of heaven, indicated in the score by a beautiful chorale. As always, Robbins skillfully uses some company youngsters: Peter Boal, looking like an archangel, Damian Woetzel, a particularly blithe spirit who joined the troupe last month, and Teresa Reyes, a recent incarnation of Balanchine's leggy ideal. In Memory of . . . ends with a homage to him. Farrell is carried offstage by Duell and Luders in the serene, lyrical "swimming" motion from Chaconne -- also set in Elysian fields...

Author: /time Magazine | Title: Dance: Toward Elysium | 6/24/1985 | See Source »

...chorus of the Slovak Philharmonic; Erato.) In the Faust legend, the romantics found all the excesses they craved: sex, violence, power, the diabolical, damnation and salvation. And in Franz Liszt, who had more than a whiff of the necromancer about him, the Faust story found an ideal musical interpreter. In works such as Malediction and Totentanz for piano and orchestra, the four Mephisto Waltzes for solo piano and, most ambitious of all, the Faust Symphony, the great piano virtuoso gave free rein to his bursting creativity, conjuring up demonic worlds through his pianistic and compositional sorcery...

Author: /time Magazine | Title: Music: Tunes From the Darker Side | 6/24/1985 | See Source »

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