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...nation's twelfth Secretary of Commerce, a job which has, at one time or another, fallen to an oddly contrasting lot of personalities : Herbert Hoover, a high-collared symbol of Republican conservatism; Harry Hopkins, the frail, dedicated symbol of the Roosevelt revolution; Henry Wallace, a symbol of the idealist gone wild and then sour; Jesse Jones, the hard-nosed banker-baron, Texas Stetson style; Averell Harriman, a symbol of the silver spoon and the itch to do good. If Charles Sawyer was the symbol of anything, he was a symbol of the man who never missed...

Author: /time Magazine | Title: THE CABINET: Good-Times Charlie | 1/30/1950 | See Source »

...central character, a backwoods idealist who becomes a one-man state government, is hard-centered, soft-surfaced Willie Stark (Broderick Crawford). His life story is told in choppy, dramatic incidents, which give the movie a curious pattern-Stark at the football stadium, Stark haranguing a fairgrounds crowd, Stark bulldozing the legislators, Stark posing for cameramen with his estranged family. The small, disconnected scenes hit the eye with the repetitive impact of telephone poles seen from a fast train, and din the main character deep into the mind...

Author: /time Magazine | Title: The New Pictures, Dec. 5, 1949 | 12/5/1949 | See Source »

After spinning a fine story of what a dedicated idealist he was, Communist Gates had been asked a few pertinent questions. He had testified, had he not, that he was born in New York? Yes. Then McGohey produced a relief application that Gates had once filled out in Youngstown, Ohio, giving Lakewood, N.J. as his birthplace. Had Gates been using that name since 1932? Yes. McGohey fished out a 1937 passport application in which he gave his name as Isriel Ragenstrich. Had Gates not gone to jail twice? Yes. McGohey confronted him with a previous sworn statement, declaring...

Author: /time Magazine | Title: BOARDS & BUREAUS: The Watchful Eye | 8/8/1949 | See Source »

...story of Jay Gatsby-World War I hero, millionaire bootlegger, and misguided idealist-is the story of a fabulous epoch, the 1920s. As Fitzgerald told it, it was also a spiritual history of those young Americans who from disillusionment, boredom, or the simple sense of belonging nowhere and to nothing, called themselves the "lost generation." The story of the movie is largely a story of bad casting. In the role of Gatsby, which calls for extraordinary warmth and a wide range of mood, Alan Ladd looks about as comfortable as a gunman at a garden party. Betty Field, though...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 25, 1949 | 7/25/1949 | See Source »

Preaching Was Necessary. For an idealist of 21, there was nothing particularly unusual about his decision except that he acted upon it. For Albert Schweitzer, the resolution was a binding contract with himself. Without telling anyone of his decision, he set out upon such a decade of activity as would have done credit to an ordinary man's lifetime...

Author: /time Magazine | Title: Religion: Reverence for Life | 7/11/1949 | See Source »

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