Word: ideality
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Dates: during 1960-1969
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Triumphant Symbol. Teddy bears are precisely 67 years old. The name was attached to a new line of stuffed bruins manufactured by the forerunner of the Ideal Toy Corp. and by Germany's Steiff Co. after President Theodore Roosevelt, on an expedition to Mississippi in 1902, refused to shoot a bear cub. Washington Star Cartoonist Clifford Berryman instantly made the cub a symbol for Roosevelt, and the country went for the notion lock, stock, and bear jokes. (If T.R. is President when he is fully dressed, went one knee-slapper, what is he with his clothes off? Answer: Teddy...
...much of the world, Scandinavia, rather than the U.S., represents the ideal of an economic Utopia. Sweden has the world's second highest per capita income; Denmark, Norway and Finland also rank high. All four are free of slums, hunger and extreme poverty. All enjoy steady economic growth combined with full employment. By contrast, the U.S. is beset by labor unrest, rising unemployment and slow growth. How do the Scandinavians do so much better...
Here he loses the variousness of tone and emphasis in Hawthorne and Griffith. He builds a drama of natural behavior in a specific social, rather than ideal, setting. Griffith's abstractions and idealization disappear and with them the need to assault the audience with quick cutting to put across the characters' emotions. A much more direct realization of his material characterizing Seastrom's work. makes this work simply a powerful rendition of a story of thwarted love...
Howard Johnson marshmallow-fudge candy bars aren't exactly the ideal pre-game meal for a football team, but they were enough to power the Harvard freshmen football team to a 31-18 victory over the Yale freshmen yesterday afternoon in New Haven...
...refusing to take his murder seriously the characters remove all ideal depth from life. They dedicate themselves to a world of dark confusion, textures of broken light and shadow without order, violent emotional events with scant meaning. In thus interpreting the continuity of social process and order after individual death, Renoir finally recognizes the seriousness of his material. His fluid and continuous relationships between men, his heroes' deaths at the hands of society are given the atmosphere of horror they deserve. Renoir is morally engaged in Rules of the Game as in few other films...