Word: idealizations
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Dates: during 1970-1979
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...will present its description of an "ideal" study abroad program to CUE Wednesday, Willa H. Brown '81, chairman of ERG's foreign studies subcommittee, said yesterday...
...term around 1600, and implied restoration of the old order. Later revolutions, like the French and the Russian, were explicitly antireligious, anticlerical. And yet revolution is almost always cryptoreligious in its vocabularies, disciplines and even operating psychologies. Revolution needs martyrs, saints, zealots, and almost always involves a rigorously ascetic ideal. Revolution, like religion, means faith and commitment, righteousness, intolerance, overriding goals, doctrine and ideology. In the revolutionary paradigm, the old order is corrupt, out of grace, godless, and therefore to be swept aside. Revolutionaries, of course, tend to seek their heaven on earth, here and now. But the contradiction between...
FURTHERMORE, the legislation exhorts the Faculty to acknowledge the individualized student-professor relationship as the ideal tutorial goal. Again head tutors are less than obliging. McKinsey said she thinks graduate students make up for their lack of experience with their youthful verve. Besides, she reasons, "You can get the wisdom of the old gray heads in lectures." McKinsey perhaps has a point. But more pertinent is the irritating freedom with which she and others permit their personal opinion to take precedence over Faculty-wide directives. By such retorts these head tutors flout not only the goals of this latest...
...spoke of this affirmation. In their works we observe the contradictory interpretation of the social and political reality of Afro-Americans. On the one hand were the horrors of slavery and the middle passage, while on the other hand were the possibilities of redemption and affirmation of the humanistic ideal of man which the Christian religion promised, and which ob-jectively spoke of the noblest ideals of man. It was, I suspect, the attempt to bring forth a synthesis of these two antagonistic poles that became the modus operandiof the literature...
...year's Riches (from which she has drawn several songs for Children) of presenting stereotypes, who work their way through what is essentially a musical revue of women's experiences, rather than rounded characters. And the strength of the production lies in the cast's ability to infuse these ideal types with life as they march through vignette after vignette. The show stumbles most, though never managing to fall, when songs demand fully developed characters to lend credibility to the very personal experiences the lyrics describe...