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Word: idealizations (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...truth and political oppression--but these flavors are overfused and hyper-blended into watered-down mush. In including too much, Geddia is mostly empty and ineffective. It doesn't make you want to dance, it makes you want to shop. Perhaps a late-'90s Ofra Haza, Atlas has produced ideal background music for burning incense, vintage clothes or those times when you want to impress guests with slightly exotic, non-English, just sexy-enough worldliness. Judith Batalion

Author: NO WRITER ATTRIBUTED | Title: Natacha Atlas Gedida Beggar Banquet | 4/16/1999 | See Source »

...idea that the layout is "stupid"" for living arrangements may be true, but it is ideal for throwing parties...

Author: By Victoria C. Hallett, CRIMSON STAFF WRITER | Title: PARTY | 4/16/1999 | See Source »

...nightmare of all party nightmares is trying to meet people who arrived earlier. It's dark and crowded, not the ideal situation for finding even people you know well. There are other obstacle, though, that can hinder a rendezvous...

Author: By Aparna Sridhar, | Title: Party When The Heat Is On | 4/16/1999 | See Source »

...forever confined to lecture halls and small performance spaces hardly capable of illuminating the subtle beauty and powerful art of dance in live performance. Directors Daphne Adler '99 and Kiesha Minyard '99, both past co-directors of the Harvard Radcliffe Ballet company, obviously knew that the Mainstage is an ideal venue for showcasing Harvard dancers. They had an arduous task in front of them when they set out to convince HRDC that dance belonged on the much-prized Mainstage spring program. Luckily for them and us, after multiple persuasive attempts Minyard and Adler finally convinced HRDC to end dance...

Author: By Erin Billinges, CONTRIBUTING WRITER | Title: PERPETUAL MOTIOBN: | 4/16/1999 | See Source »

...forever confined to lecture halls and small performance spaces hardly capable of illuminating the subtle beauty and powerful art of dance in live performance. Directors Daphne Adler '99 and Kiesha Minyard '99, both past co-directors of the Harvard-Radcliffe Ballet Company, obviously knew that the Mainstage is an ideal venue for showcasing Harvard dancers. They had an arduous task in front of them when they set out to convince HRDC that dance belonged on the much-prized Mainstage spring program. Luckily for them and us, after multiple persuasive attempts Minyard and Adler finally convinced HRDC to end dance...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: Perpetual Motion: An Evening of Time, Money, and | 4/16/1999 | See Source »

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