Word: idealizations
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Dates: during 1990-1999
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...Thomas Sancton explained how the TIME staff puts the magazine together each week, the students took over, assigning themselves to writing, editing and hand printing their magazines on poster boards, as well as creating advertisements, graphs and pictures. Says Sancton: "They were a bright, eager bunch of kids -- the ideal TIME journalists of the future...
...been asked to volunteer to test the Salk vaccine. Searching for volunteers, U.S.C. turned to Roger Mahony, the Catholic Archbishop of Los Angeles. University officials explained that "persons with the lowest possible risk" of AIDS infection would be most desirable, and that those committed to celibacy would be ideal. Mahony thereupon sent a letter to all nuns and priests in the archdiocese, asking those 65 or older to consider signing up for Salk's shots. When the news broke last week, even New York City's John Cardinal O'Connor thought of signing up, but U.S.C. already had more than...
Ryan said he had mixed views on the meeting. "I was hopeful in that they appeared genuinely interested in what we had to say. I was also... discouraged that they seemed to have this ideal view of how well the Ad Board functions that they didn't see any changes necessary," he said...
Your reviews only jeopardize that freedom, and cannot, within the space allotted, any any true insight into the "innovative works" you hope to promote interest in. The format of a brief newspaper review, as a guide for the theater-goer, is ideal for the more commercial productions in the houses, or at the Mainstage and Agassiz, but in the name of your own intent, do not become faulty guides to the Ex, where the audience members' greatest delight is in finding their own way. James J. Marino...
...ghastly Warhol ethos that gelded so many talents in the '80s. The show starts with early collages involving paper bags and window blinds, pale elegant things haunted by Jasper Johns. It proceeds through a prolix series of paintings from the '60s that depict the corner of an imaginary "ideal" and utterly banal room with no furniture in it, done in very close-valued colors that turn the image into a benign parody of Ad Reinhardt's black paintings. Odd little signs -- a blurt of pigment here, a "Have a Nice Day" face there -- float in front of the room...