Word: ideas
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Dates: during 1990-1999
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...SOUNDS: "I describe it as acoustic sample pop. Basically, I listen to a lot of stuff coming out of Japan: Cornelius, Minekawa Takako, Buffalo Daughter, Fantastic Plastic Machine. I like the idea of sound montage that they employ and so I am trying to reconcile this with my American pop sensibilities. I am a sucker for melody, so in essence I am trying to create pop songs shrouded in esoteric yet interesting noises with this kind of Japanese '90s pop culture influence...
...concert began to offer the special excitement that comes with a live performance. Roberta Flack introduced him as a theology concentrator (well, she actually said major) and introduced Tchaikovsky as "that guy who wrote the 1812 Overture." Using the cardboard binoculars that were handed out at the door (one idea that Symphony Hall should actually consider) the audience could take in the amazing passion of Lin's performance. The audience was so impressed in fact, that he even received an accidental roar of applause at the start of his cadenza, quickly hushed by Seiji Ozawa. Despite the faux...
...SOUNDS: "I describe it as acoustic sample pop. Basically, I listen to a lot of stuff coming out of Japan: Cornelius, Minekawa Takako, Buffalo Daughter, Fantastic Plastic Machine. I like the idea of sound montage that they employ and so I am trying to reconcile this with my American pop sensibilities. I am a sucker for melody, so in essence I am trying to create pop songs shrouded in esoteric yet interesting noises with this kind of Japanese '90s pop culture influence...
...concert began to offer the special excitement that comes with a live performance. Roberta Flack introduced him as a theology concentrator (well, she actually said major) and introduced Tchaikovsky as "that guy who wrote the 1812 Overture." Using the cardboard binoculars that were handed out at the door (one idea that Symphony Hall should actually consider) the audience could take in the amazing passion of Lin's performance. The audience was so impressed in fact, that he even received an accidental roar of applause at the start of his cadenza, quickly hushed by Seiji Ozawa. Despite the faux...
...larger than the pockets of "real heads" in the urban centers of the world? When the culture's audience and participants grow, so does the culture's production of nonsense in order to satisfy the new buyers who never knew that Stetsasonic predates The Roots' hip hop band idea, or that the Jungle Brothers were once dope. The culture is only hurt by fans who get schooled about the music by the simplistic sampling techniques of Puffy and the Trackmasters...