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Word: idiom (lookup in dictionary) (lookup stats)
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...wonder that Heckel's two almost-poetic canvasses express less than they should, that their statement of color is raw, that their organization is dubious. The same equanimity is lacking. Only the idiom is changed. It is no surprise that Schlemmer's canvas lacks the aristocracy of truly resolved expression. One can even understand how Otto Muller's canvas of the gal who lost her Maiden-form, can get by, utterly lacking, as it is, in substance and the very minimum diginity a work of art ought to possess...

Author: By Paul W. Schwartz, | Title: Two Modes | 4/14/1959 | See Source »

...Minneapolis' Walker Art Center last week was a brilliant and very odd exhibition of pictures by Attilio Salemme, who died four years ago at 43. Before he died, Salemme had shaped to near perfection a wholly personal idiom. His retrospective show, which originated at Boston's Institute of Contemporary Art and will move to Manhattan's Whitney Museum later this month, proved Salemme to have been sad and chill, yet magical, and a colorist of weird subtlety...

Author: /time Magazine | Title: Art: THE SAD DOORMAN | 4/6/1959 | See Source »

...most significant failure, however, is linguistic. He appears to be trying for a grander idiom than his customary one, and an occasional line reverberates with more than usual spaciousness. But many of the speeches are merely clumsy, as if the author was aiming for an archaic effect and did not know quite how to achieve...

Author: By Julius Novick, | Title: The Crucible | 3/25/1959 | See Source »

...spare, subtle language of Webern's music must have seemed extraordinarily novel and refreshing to twelve-tone composers, while his concern for highly schematized structure seemed to be the necessary concomitant to an idiom so unlike Western music. The post-Webern school, as its name implies, has carried these methods a good deal further. There was ample evidence of the wide spectrum of this music at a concert held in Paine Hall on Mar. 5, devoted largely to the post-Webern representation at Harvard, which raised some hard questions about the aims and future of advanced music...

Author: By Edgar Murray, | Title: Revolution in New Music: Webern and Beyond | 3/20/1959 | See Source »

...detect a certain confusion of idiom, a conflict in tone, almost a confounding of genres, in what you say." I threw a thesaurus at him, roguishly...

Author: By Julius Novick, | Title: Mother's Ruin | 2/25/1959 | See Source »

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