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John Harbison, the other music major with a "feel" for the jazz idiom, works in a wider sphere than Kuhn, playing both modern and dixie piano, and this year conducting the Bach Society Orchestra. John's major complaint is that "most fellows don't get to play enough, and only Steve has had time to find a style of his own. Two years ago there were Sunday sessions in the Union, but no more...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

...logical. For Berenson, connoisseur and aesthete that he is, represents a given area of taste, a given vintage. His taste reflects the refined tradition of Hellenism, of Classical proportion. In this way, Berenson looks dubiously upon both primitive art and on the creations of the modern idiom, the more naive frescoes of the twelfth century as the sophisticated manner of the modern French. Yet, what Berenson loves he loves well and completely. To the sphere of Athenian refinement, of what he calls "tactile values," he has given much...

Author: NO WRITER ATTRIBUTED | Title: Harvard's Outpost in Settignano | 9/18/1958 | See Source »

Darling Man. A brief period of study with Ravel in France only purified his English idiom, resulting in the moving Housman song cycle On Wenlock Edge. His rare ventures into modernist techniques left him uncertain; after the first performance of his war-troubled (1935) Symphony No. 4, he said, "I do not know whether I like it,-but it is what I meant." Several years later, after conducting it himself, he revised his opinion: "Well, gentlemen, if that's modern music, you can have...

Author: /time Magazine | Title: Music: Parish-Pump Composer | 9/8/1958 | See Source »

Composer Britten, a resident of Aldeburgh (pop. 2,689), likes to write for children-"They find my idiom easier than grownups do, and they don't argue with me. You never find a child saying, 'That note should be F natural.' " He recruited his 5-to 17-year-old chorus from three neighboring schools, gave them three months to learn their lines and six weeks to learn the music. What impressed him even more than their musical aptitude was their anxiety to please. Early in the rehearsal period, he spotted a small boy wearing a duck label...

Author: /time Magazine | Title: Music: By Ark & Rocket | 6/30/1958 | See Source »

Perhaps the weirdest thing about the book is the reconstructed conversations with Accomplice Dickie Loeb, who, in Leopold's recollections, speaks a weirdly dated slang. It is with a kind of horror that the modern reader finds an appalling crime described in a debased Tom Swift idiom. Writes Leopold: "Dick was in high spirits . . . 'That'll be a snap. Nate. Nothing to it.' " Says Loeb to Leopold, as they are planning to collect ransom for Bobby Franks: "Hey, this is neat, Nate-hey, I'm a poet!" When headlines announce: BODY OF BOY FOUND...

Author: /time Magazine | Title: Books: Condemned to Life | 4/7/1958 | See Source »

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