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Word: idiom (lookup in dictionary) (lookup stats)
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...chorus and three solo voices, but they are minor roles-he gave neither Romeo nor Juliet a word to sing. The love of Romeo and Juliet was so sublime, he explained, and "its expression so full of danger for the composer that he . . . had recourse to the instrumental idiom, a richer, more varied, less limited language...

Author: /time Magazine | Title: Music: Romeo on Three Levels | 7/11/1955 | See Source »

...strong work from overture to the final hymn to freedom, and is even gripping in three long narratives by the prisoners against a background of unnerving orchestral fantasy. Over all hangs an eerie, Kafka-like haze that results partly from the use of exotic folk idiom, partly from acoustical theories that led Janacek to dispense with accepted harmonic transitions. Because of its static quality, Aus Einem Totenhaus has had few performances in the opera house. On records it is the score that counts, and the result is well worth a hearing...

Author: /time Magazine | Title: Music: New Records, Jul. 11, 1955 | 7/11/1955 | See Source »

...delegate. Sir Carl Berendsen. Pakistan's Zafrullah Khan once talked for two days, and set a U.N. record. Britain's Selwyn Lloyd, listening to the same interminable speech by Soviet, Polish, Czech, Ukrainian and Byelo Russian delegates, remarked in Oxonian tones: "If I may lapse into the idiom of bebop, just dig that cracked record." Sometimes U.N. humor has been less intentional, as when Warren Austin advised the Arabs and the Jews to "settle this problem in a true Christian spirit...

Author: /time Magazine | Title: UNITED NATIONS: World On Trial | 6/27/1955 | See Source »

...from the Lord Dunsany thriller about ruffians who steal the jeweled eye of an oriental idol only to meet the idol's gruesome, supernatural revenge. New Yorker Dello Joio, 42, known for the ballet On Stage! and the opera The Triumph of St. Joan, has mastered the stage idiom, molded his music in short, restless phrases. His score was notably effective, if not very modern...

Author: /time Magazine | Title: Music: Opera Boom | 5/23/1955 | See Source »

...performance is true to the authors in all respects. The seventeen-piece orchestra, including banjo, accordion, and harmonium, gave each of Weill's melodies the rich, lively treatment it deserved. Howard Brown's entire musical direction seemed devoted to finding just the right expressions within Weill's jazz idiom and successfully capturing them...

Author: By Arthur J. Langguth, | Title: The Threepenny Opera | 4/29/1955 | See Source »

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