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Word: idiom (lookup in dictionary) (lookup stats)
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...were commissioned by the Koussevitzky Foundation to write an American music drama, you would start looking for a play with intense dramatic interest. You would also do well to choose something set in a locale with a musical idiom...

Author: By Herbert P. Gleason, | Title: THE PLAYGOER | 10/15/1949 | See Source »

...never convincing. At best, he doggedly describes freshman themes, the lectures and the changing curricula. At worst, he peevishly rehearses "the arid one-testicled theories" of the American humanists, or sports, with grim intent, through an embarrassing parody called The Love Song of J. Freddie Petticoat by B. S. Idiom...

Author: /time Magazine | Title: Books: Prairie Giraffe | 9/19/1949 | See Source »

...anecdotes, among many, serve to illustrate what Correspondent Low has been up against intrying to get the news of Russia's satellite Balkan countries. During arecent meeting with a Western-educated top official of one of the satellites, they talked in normal conversational idiom until Low asked a leading political question. The official said: "I'll answer you, but from now on, you understand, I must use my own vocabulary." Then he began: "As for the imperialist-fascist Western powers attempting to spread their poison within these freedom-loving democracies . . ." Says Low: "At that juncture you either abandon...

Author: /time Magazine | Title: A Letter From The Publisher, Mar. 28, 1949 | 3/28/1949 | See Source »

...five Free Press reporters the Pulitzer prize. He began a daily column, "Good Morning," composed of topical comment, literary notes and bad puns. Later, when Detroit went pennant-crazy over its 1934 baseball team, he wrote a sports column as "Iffy the Dopester." Loaded with literary allusions and folksy idiom, the "Iffy" columns became a Detroit craze. There were Iffy clubs, cocktails and cushions, and the column now appears on the editorial page...

Author: /time Magazine | Title: The Press: Bing's Song | 3/7/1949 | See Source »

Although Stravinsky wrote his Capriccio for Piano and Orchestra as a vehicle for solo appearances, the role of the piano is secondary. Much of its part is percussive, in keeping with a general trend of contemporary composers, but not with the real idiom of the instrument. Soulima Stravinsky appeared to handle the part in real razzle-dazzle fashion, although his playing was almost inaudible from my seat...

Author: By F. BRUCE Lewis, | Title: The Music Box | 2/10/1949 | See Source »

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