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Scattered throughout the volume are short vignettes of men and institutions which are well worth reading even without regard for the general context. Professor Guerard has the advantages of a Gallic mind thoroughly at home in the English idiom, and his sparking deftness of phrase makes him delightful reading. However much one may disagree with his conclusions, the author has proved himself competent to handle his subject matter, and has done it in a most entertaining manner...

Author: By T. S. B., | Title: THE BOOKSHELF | 5/20/1942 | See Source »

...less simple, being based on a halfdozen or so leading melodies. The music at times smacks strongly of Handel, especially in the spirited little military prelude with its trumpet flourishes, and in the long sensuous string melodies that recur so frequently. At other times it recalls the jazz idiom of composers like Kern and Gershwin. On occasion it is extremely lovely, but it is always ingratiating and vocal, and expertly matched to the text. The vocal line alternates roughly between recitative and air, but the alternation is unobtrusive, and poses no problems for the accomplished cast which the Society...

Author: By J. A. B., | Title: PLAYGOER | 4/14/1942 | See Source »

Cross Creek (Book-of-the-Month Club selection for April) is her reminiscent, unhurried, humorous account of how she discovered and took possession of a new U.S. literary landscape (Florida), a new literary folk (the Florida backwoods people) and the Cracker idiom whose Shakespearean and Chaucerian turns struck her sensitive ear, when she first heard them, like a blow. Above all, Cross Creek is a prose poem about the deceptively monotonous Florida land, whose deceptively soft-spoken people have become merely its human adaptation...

Author: /time Magazine | Title: Books: Enchanted Land | 3/23/1942 | See Source »

...four years of these all-star sessions.... The new Columbia Roswell Sisters album officers the best jazz singing by a trio that can be heard today: Their interpretations far surpass in vitality and harmonic interest anything the Andrews Sisters can do. Connic Boswell's arrangements have the jazz idiom down pat. "Everybody Loves My Baby" is perhaps the best of the sides, for it includes a great trumpet solo by Bunny Berigan as well as the rousing antics of the trio.... I also liked "There'll Be Some Changes Made," sung as a blues.... Someone asked...

Author: By Harry Munros, | Title: SWING | 3/6/1942 | See Source »

...entertainment, there are fortunately a few names which rarely disappoint. Everyone raves about Duke Ellington, and his bandwagon is one on which I have long been riding. Duke has abandoned the overwrought orchestrations he was writing a few years ago, and has reverted to arrangements more in the jazz idiom, with wider opportunities for his soloists. Last week he turned out Five O'clock Drag and Clementine, two original riff numbers arranged in the Ellington tradition of unexpected effects and frequent dissonance's, particularly in the brass section. Clementine is not the "Oh My Darling" ditty, but just another Ellington...

Author: By Harry Munroe, | Title: SWING | 12/6/1941 | See Source »

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