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...opera singers have ever seemed so convincing -- and comfortable -- in the Broadway idiom. Upshaw begins with four songs of yearning for love: the album's title number, taken from Blitzstein's 1959 Juno; There Won't Be Trumpets, a song dropped from Sondheim's short-lived 1964 show Anyone Can Whistle; What More Do I Need?, from an unproduced Sondheim musical of 1954, ! Saturday Night; and That's Him, from Weill and Ogden Nash's 1943 One Touch of Venus. Accompanied alternately by small ensembles and an orchestra, Upshaw stakes her claim as theater music's most luminous ingenue since...

Author: /time Magazine | Title: Dawn Upshaw: The Diva Next Door | 9/5/1994 | See Source »

Kingston has complained that critics, while generous, misread her work as being about China rather than America. Berkeley Rep artistic director Sharon Ott, the latest in a mob of adapters who have spent nearly two decades trying to find a dramatic idiom for Kingston's work, calls the central character "a troubled, gifted, 12-year-old American girl trapped in a petite Chinese body...

Author: /time Magazine | Title: THEATER: The Lady Becomes the Tiger | 6/20/1994 | See Source »

...great educator and unifier. They include a respect for the rule of law, for the rights of others to succeed -- or fail -- and a shared responsibility to protect those who cannot succeed. These values are conveyed, eventually, in the English language, among people who share a cultural idiom that ranges from Bugs Bunny to baseball's seventh-inning stretch...

Author: /time Magazine | Title: America's Immigrant Challenge | 12/2/1993 | See Source »

...Modern Art in New York City, and were in fact the first paintings by a black artist to enter MOMA's collection. It seemed to both Alfred Barr of MOMA and Duncan Phillips that Lawrence's series represented a unique conjunction of black experience, history painting and a modernist idiom. They were right. From Benjamin West to Robert Rauschenberg, American art is sown with attempts, varying between utter bathos and success, to image forth the American story. And for reasons that are lamentably obvious, practically none of these were created by blacks, until Lawrence appeared...

Author: /time Magazine | Title: Stanzas From a Black Epic | 11/22/1993 | See Source »

Senator Earnest Hollings railed against an episode of CBS' "Love and War" which featured a violent fight scene; he didn't realize that the show was intended as a job at Congressional concern with TV violence. The Senators seem hopelessly befuddled by the idiom of the medium that they yearn to regulate...

Author: By Benjamin J. Heller, | Title: Scaring Up A Simple Crisis | 10/30/1993 | See Source »

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