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RAFELSON'S MONOPOLY METAPHOR is too slick a formula. He has poached inconsistently on the terrain Arthur Miller familiarized: Shopworn sales talk has become the idiom of a society based on manipulation, commercial go-getting has been universalized as a private ethic, preservation of personal integrity means self-destruction. These are his cool assumption, the truisms of one who has seen-it-all. Sentimentially is a demon to him, so he lavishes heavy filmic methods in an effort to play it tough, and it is wholly at the expense of his material. He has twisted the form of his film...

Author: By Emily Fisher, | Title: Marvin Gardens | 11/28/1972 | See Source »

...with the weight, the massed percussion and brass charged through a work that begs to be labeled distilled West Side Story. Bernstein's music is accessible without sacrificing musical integrity, a combination that eludes most contemporary composers, nearly all of whom shy away from any contact with the popular idiom...

Author: By Kenneth Hoffman, | Title: HRO at Sanders | 11/22/1972 | See Source »

...money are simply colorful additions to Black English and have little to do with the substance of the dialect. In fact, mistaking black slang as Black English leads to the conclusion that the dialect is merely a corruption of English. For example, 'bread' for money is actually a Cockney idiom...

Author: By Henry W. Mcgee iii, | Title: The White Man Don' Be Understandin' Me | 11/14/1972 | See Source »

...married in November 1924. She was his second teen-age bride. Three years later the Chaplins were divorced after loud litigation. The American public booed his on-screen image; annihilation beckoned. Chaplin tried a master tactic. "I married Lita Grey because I loved her," he announced in the sentimental idiom of the silent film. "Like other foolish men, I loved her more when she wronged me, and I'm afraid I still love her." The statement rescued Chaplin's career-until next time...

Author: /time Magazine | Title: Time Essay: Re-Enter Charlie Chaplin, Smiling and Waving | 4/10/1972 | See Source »

...they too can play the blues, that they too have an experience to communicate. That white musicians have something to say can not be doubted; the problem is that many white musicians feel that they have the same things to say as black musicians. Therefore they adapt a black idiom, the blues, and try to make their music as black as possible. This imitation of black music runs along a continuum beginning with the Beatles at one end, the Rolling Stones toward the middle and Eric Burdon and Elvis Presley at the furthest extreme. No white musician, however, has been...

Author: By Henry W. Mcgee iii, | Title: Can a White Man Play the Blues? | 3/15/1972 | See Source »

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