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...evening's sole venture into the contemporary idiom was unfortunately more a venture into the field of corn. Kirke Mechem's The Shepherd and His Love was given its first performance. This frivolous piece of trivia proved to be little more than a sophisticated homage to Richard Rodgers. But it was performed with spirit and must have pleased the composer who was present for the occasion...

Author: By John C. Adams, | Title: Summer School Chorus | 8/18/1967 | See Source »

Rock music, like jazz, derives in part from the blues, and this common heritage provides the basis on which rock is injecting itself into the jazz idiom (at the same time, of course, absorbing elements of jazz into its own idiom). Recent recordings by Ramsey Lewis, Cannonball Adderley and Gabor Szabo demonstrate how successfully-and sometimes how superficially-jazz can be superimposed on a rock foundation. More significantly, several jazzmen young enough to be in the rock generation are emerging to show what can be done when the two strains are thoroughly fused. Two of the most original: - Jeremy Steig...

Author: /time Magazine | Title: Jazz: A Way Out of the Muddle | 8/11/1967 | See Source »

SNOW WHITE, by Donald Barthelme. Translating the old story into contemporary idiom, Barthelme goes wild with words. His amusingly refurbished novel of the absurd is as episodic and pointless as a kaleidoscope, yet just as strangely affecting...

Author: /time Magazine | Title: Television: Aug. 4, 1967 | 8/4/1967 | See Source »

Throughout the scored passages as well as the improvisations, Menuhin displays not only his accustomed technical brilliance but also an amazingly supple and knowing way with the complexities of the Indian musical idiom. The collaboration also makes a point that is often overlooked even by aficionados: for all his influence on Western jazz and pop, Shankar is an excellent classical musician...

Author: /time Magazine | Title: Recordings: Raves for Ravi & Yehudi | 8/4/1967 | See Source »

...could bandy quips with poets and wits in London and chat about women and food in the local idiom with polygamous cannibal kings in the Congo. He could write with equal authority (if not always total accuracy) on swordsmanship, sex, the source of the Nile or the location of the moun tains of the moon. Fine fencer and linguist, he was also a natural actor and raconteur, a competent artist and something of a poet. He truly exemplified Baudelaire's negative definition of the superior man: he was "not a specialist...

Author: /time Magazine | Title: Books: The Saga of Ruffian Dick | 8/4/1967 | See Source »

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