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Word: idioms (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Darling Man. A brief period of study with Ravel in France only purified his English idiom, resulting in the moving Housman song cycle On Wenlock Edge. His rare ventures into modernist techniques left him uncertain; after the first performance of his war-troubled (1935) Symphony No. 4, he said, "I do not know whether I like it,-but it is what I meant." Several years later, after conducting it himself, he revised his opinion: "Well, gentlemen, if that's modern music, you can have...

Author: /time Magazine | Title: Music: Parish-Pump Composer | 9/8/1958 | See Source »

Composer Britten, a resident of Aldeburgh (pop. 2,689), likes to write for children-"They find my idiom easier than grownups do, and they don't argue with me. You never find a child saying, 'That note should be F natural.' " He recruited his 5-to 17-year-old chorus from three neighboring schools, gave them three months to learn their lines and six weeks to learn the music. What impressed him even more than their musical aptitude was their anxiety to please. Early in the rehearsal period, he spotted a small boy wearing a duck label...

Author: /time Magazine | Title: Music: By Ark & Rocket | 6/30/1958 | See Source »

Perhaps the weirdest thing about the book is the reconstructed conversations with Accomplice Dickie Loeb, who, in Leopold's recollections, speaks a weirdly dated slang. It is with a kind of horror that the modern reader finds an appalling crime described in a debased Tom Swift idiom. Writes Leopold: "Dick was in high spirits . . . 'That'll be a snap. Nate. Nothing to it.' " Says Loeb to Leopold, as they are planning to collect ransom for Bobby Franks: "Hey, this is neat, Nate-hey, I'm a poet!" When headlines announce: BODY OF BOY FOUND...

Author: /time Magazine | Title: Books: Condemned to Life | 4/7/1958 | See Source »

...massive sweep and sumptuous sound, Reiner's Chicago Symphony for its fine articulation and meticulous attack. Last week the two Hungarians swapped podiums and gave their audiences a fascinating demonstration of how quickly a first-rate conductor can teach a first-rate orchestra to talk his own idiom...

Author: /time Magazine | Title: Music: The Boys from Budapest | 3/24/1958 | See Source »

...posters, continued to develop impressive technical skill. But it lived in a world apart from the fresh dance ideas that swept through Europe and the U.S. Later, the major companies commissioned works by modern composers, including Prokofiev, Shostakovich, Khachaturian, but all three tailored their music to the classic choreographic idiom. The Russians' failure in modern productions became most evident during the Bolshoi Ballet's otherwise hugely successful 1956 season at London's Covent Garden. The company expertly paraded such gorgeous old floats as Swan Lake and Giselle, but was peppered by the critics for the lack...

Author: /time Magazine | Title: Music: New Line at the Bolshoi | 3/24/1958 | See Source »

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