Word: idioms
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Dates: during 1990-1999
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...despite the superficial differences in idiom among his works, what remains constant is Gorecki's unshakable faith. Like Bruckner's soaring Gothic symphonies, Gorecki's music is secure -- staunch in its Catholicism, sanguine in its magisterial technique and confident in its calm, unmannered directness of expression...
Nude Men is startlingly devoid of wit and singularly lacking in charm. Filipacchi's labored prose fails to update the idiom. There are no signal insights; little that is fresh or new. Filipacchi transforms what could have been a fascinating treatment of dealing with the consequences of dark, neurotic visions and succumbing to temptations into a turgid mess...
...Klingon -- the alien tongue spoken in Star Trek movies and TV shows by bellicose fellows with the permanently furrowed brows. It sounds a bit like Japanese, a bit like Yiddish, with a lot of choking sounds and rough, saliva-spraying sibilants. (A handkerchief is recommended for novice speakers.) The idiom of a warrior culture, Klingon doesn't have words for "nice" or "pretty" or even "hello" -- the standard greeting is "What do you want?" (nuqneH?). But if you want to say "Surrender or die!" and sound like you mean it, Klingon...
...Schuster, is that folks are assiduously studying -- and speaking -- the language, though learning it is a real oy (pain). To his amazement, Okrand has been accosted by ardent students and subjected to barrages of fluent Klingon. Yampell, who once perpetrated such a barrage, was disappointed to find that the idiom's inventor responded with a blank stare. "He doesn't really speak the language, although he does pronounce it much better than I do." Despite his lack of fluency, Okrand is revered by students of the warrior tongue. "When it comes to Klingon," says one disciple, "anything Marc Okrand writes...
...Rzewski's Marxism was so fundamental to him that he hardly wrote a piece without a populist affirmation of some kind. And having early in his career sensed an incompatibility between his political views and any austerity of style, Rzewski gradually adopted a quasi-19th-century romantic idiom with the intention "to establish communication [with], rather than to alienate an audience." His most famous work is a brilliant hour-long set of diverse variations for piano on a Chilean leftist anthem, "The People United Will Never Be Defeated" (1975). In the late '70s and early '80s Rzewski turned to American...