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Word: idioms (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...recording can never be an ideal way to listen to jazz, because an integral part of that musical idiom is witnessing the spontaneous creations of the artist unfold before you-live. But these recordings come as close to transcending that limitation as seems possible. The live setting reinforces the very palpable sense that Coltrane is holding back nothing in expressing himself through his horn. Even if one doesn't fully "understand" the music-and perhaps no one can-its emotional power will be immediately apparent.Photo courtesy of MCA RecordsA new set of Coltrane's recordings presents the artist live...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

...latest album [MUSIC, May 19]. It was nice to know that Taylor cares about others' opinions of him. I adore him! If my life were a movie, his music would be the sound track. His music has enriched my life. Your reviewer was wrong. Taylor has transcended his idiom. When I get to heaven, the angels will be playing J.T.'s tunes on their harps! MELISSA OGATA Tustin, Calif...

Author: /time Magazine | Title: Letters: Jun. 9, 1997 | 6/9/1997 | See Source »

...Armstrong's repertoire; all are played in a straight-ahead New Orleans style. But one's suspicion that the result might be dutiful and dull, the musical equivalent of a five-part series in the New York Times on wage stagnation, proves groundless. Doc Cheatham & Nicholas Payton rescues its idiom from both the dead end of strict revivalism and the cornier precincts of Dixieland, reinvesting it with swing and individuality and reminding us why this sensual, pleasurable music was once called "hot." What we have here, believe it or not, is 62 minutes of great make-out music. This...

Author: /time Magazine | Title: MUSIC: FRESH HEIRS | 6/2/1997 | See Source »

...Armstrong?s repertoire; all are played in a straight-ahead New Orleans style. But one?s suspicion that the result might be dutiful and dull, the musical equivalent of a five-part series in the New York Times on wage stagnation, proves groundless. ?Doc Cheatham & Nicholas Payton? rescues its idiom from both the dead end of strict revivalism and the cornier precincts of Dixieland, reinvesting it with swing and individuality and reminding us why this sensual, pleasurable music was once called ?hot.? What we have here, believe it or not, is 62 minutes of great make-out music. What...

Author: /time Magazine | Title: Weekly Entertainment Guide | 5/23/1997 | See Source »

Taylor has prospered in the fickle world of popular music for almost three decades and sold 29 million records by writing timeless songs like Sweet Baby James and You Can Close Your Eyes. Along the way, he has created a distinctive musical idiom. A James Taylor song is instantly recognizable for his limpid voice, sweet melody, deceivingly simple harmony and faultless guitar work. Its lyrics are those of an outsider. Yet unlike his contemporary Neil Young, Taylor is no musical rebel. He may have refined his idiom, but he rarely transcends it. His songs are as familiar and comfortable...

Author: /time Magazine | Title: MUSIC: STILL SINGING THE BLUES | 5/19/1997 | See Source »

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