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Unlike dancemakers who favor the hard-edged, stripped-down contemporary idiom that he crisply dismisses as "technoballet," Wheeldon is an unabashed classicist. His style, a bracingly confident fusion of George Balanchine's structural clarity with the sunny lyricism of Frederick Ashton, is respectful of tradition without stooping to imitation. He's also a sucker for tutus, toe shoes and moonlit pas de deux. "I don't have much angst in me," he says. "I love to be romantic...

Author: /time Magazine | Title: Dance: Christopher Wheeldon: Master of His Domain | 5/31/1999 | See Source »

...sonata Op. 11 is a sprawling piece of juvenilia that requires a tight vision of elements that don't necessarily relate organically to each other, as is the case with the greater master-piece, the Fantasy Op. 17. Although Zimerman seemed marginally less comfortable here than in the Chopin idiom and sometimes shortchanged Schumann's dotted rhythms, the middle movements especially were full of fresh phrasings and well-judged rubato. The finale is fun music, and Zimerman seemed to be having fun with it. For an encore he gave the F-sharp Romance, Op. 28 No. 2, informing the audience...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Sub-standard Scherzo at the BSO | 5/7/1999 | See Source »

...virtuoso organist. A demanding Brahms G minor Prelude and Fugue (with hints of Bach S. 542?) preceded dense music of the late master Jean Langlais and of Helmut Walcha, a superb organist in his own right, whose neo-Baroque compositions spring from a performative mastery of the original idiom...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Trapped in Classical World: A Boston Weekend | 4/30/1999 | See Source »

Hence, the familiar boathouse idiom that "ergs don't float," emphasizing that brute power on the rowing machine does not necessarily translate into wins in he water. Butt often preaches the "nine on one" approach to racing. The crew and coxswain must function as one unified force, and view the opponent as nine independent rowers, any one of whom is vulnerable to "cracking" or having lapses in concentration...

Author: By Josh Dienstag, CONTRIBUTING WRITER | Title: M. Lightweight Crew Prepared for season's Close | 4/21/1999 | See Source »

...language, "Ptydepe," into a truly bizarre office space, is remarkably relevant to 20-somethings caught up in today's corporate America. Because Havel's material is so clever, a decent production of The Memorandum would be easy, but an exceptional production will require a special affinity for Havel's idiom. Surprisingly, this group of students can speak Havel's language--excellent acting, creative set design and, most importantly, faithfulness to the spirit of Havel's wild imagination, produced a hilariously impressive final product...

Author: By Paul Cantagallo and Patti Li, CONTRIBUTING WRITERSS | Title: You Won't Be Able to Read This | 3/19/1999 | See Source »

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