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Overall, Ford was pushed more often into defensive positions. The three reporters, including a notably haughty Joseph Kraft, hurled some of their fastest pitches at the President-although other questions (about the propriety of constitutional amendments, the "urban intentions" of the candidates) were, in the trade idiom, real softballs. Carter exploited the challenger's advantage of attacking the incumbent's record. Both candidates probably reinforced their supporters' choice. Loosening his grip on the podium, Ford used hand gestures and head movements more freely than in the past. Carter's softer, yet still coolly assertive tone...

Author: /time Magazine | Title: THE DEBATE: POLITE FIGHT ON CAMPUS | 11/1/1976 | See Source »

Carter's resort to undeaconlike idiom was perhaps best explained in a subsequent Sunday New York Times Magazine article by Norman Mailer-in which Carter used a still raunchier expression. Quoting Carter as saying, "I don't care if people say " Mailer wrote, "And he actually said the famous four-letter word that the Times has not printed in the 125 years of its publishing life." (For what else the Times and other papers did not publish, see PRESS.) Analyzed Mailer: "It was said from duty, from the quiet decent demands of duty...

Author: /time Magazine | Title: The Nation: TRYING TO BE ONE OF THE BOYS | 10/4/1976 | See Source »

...moment at least, the South continues to cherish its language. In the South, as in no other American region, people use language as it surely was meant to be employed: a lush, personal, emphatic treasure of coins to be spent slowly and for value. Thus, in Southern idiom, no lady is merely pregnant; she is "in bloom" or "her bees are aswarming." Girls are variously "ugly as homemade soap" or "pretty as a speckled pup." It does not rain in the South; it "comes up a cloud." For young children, the mystery of the belly button is easy to explain...

Author: /time Magazine | Title: Special Section: Just a Tad Different | 9/27/1976 | See Source »

...right hand window-to Connemara and Aranmore, seen out the door, to the left-hand view of the Great Blasket "forbidding as an otherworldly eel, lying languidly on the wavetops". O'Nolan-na Gopaleen-O'Coonassa pulls the world in to the heart of Gaelic country and idiom. A chain of personae is a trademark of O'Nolan's literary career--in At Swim, as in O'Nolan's life, there is a writer who creates a writer who creates a writer. But in The Poor Mouth the technique has a specific function: to carry the Gaeligore and/na Gopaleen enthusiast...

Author: By Eleni Constantine, | Title: Putting It On | 9/20/1976 | See Source »

...carried this sense of motion and drive. Kirchner, in comments on this work, has emphasized the extent to which he has retained roots in music like the Back, rather than concentrating only on the "nowness" of modern music. The Concerto reflects this concern, as Kirchner writes in the modern idiom, but with warmth and not numbing austerity. On Tuesday night, the brass and percussion were especially noteworthy; the former carrying out their role as an antiphonal block, the latter as understated punctuation. Lawrence Lesser, cello, and Robert Portney, violin, fit well into the ensemble sound--both have tended toward romantic...

Author: By Jay E. Golan, | Title: MUSIC | 8/13/1976 | See Source »

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