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Word: idol (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...overnight hit and Zhenya a national name. Ever since, says Evtushenko. he has suffered from creative schizophrenia ; when he writes love poetry he is attacked for escapism ; when he returns to social themes he is faulted for wasting his lyric talent. The same ambivalence, he grins, marks Pushkin, his idol. His other heroes: Boris Pasternak; Hemingway, "my favorite prose writer by far"; Fidel Castro, whom he quotes gleefully as saying "Art should be free"; and Poet Vladimir Mayakovsky, the explosively original Bolshevik suicide who, like Evtushenko 30 years later, bitterly satirized the smug commissars of his time...

Author: /time Magazine | Title: Russia: A Longing for Truth | 4/13/1962 | See Source »

...intellectual idol of a large segment of U.S. conservatives. William...

Author: /time Magazine | Title: The Press: A Chance to Holler | 4/6/1962 | See Source »

Williams worked at that time in a kind of basement garret with Clark Mills, a fellow poet. Mills introduced him to a one-foot shelf of influences: Rimbaud, Rilke, Lorca, Chekhov, Melville, D. H. Lawrence and Hart Crane, who became Williams' poetic idol. Tom introduced Mills to Rose. As Mills recalls it, Mrs. Williams "commanded Tom to bring home 'gentleman callers,' " as Tom Wingfield does in Menagerie; "Williams' poor sister was dressed in old-fashioned Southern costumes. She was very lovely. She never talked at all. Mrs. Williams never stopped talking-empty verbiage about their status...

Author: /time Magazine | Title: Theater: The Angel of the Odd | 3/9/1962 | See Source »

...hard to pin-down: sometimes he wants virtue in a candidate, sometimes glamor, sometimes innocuousness. Like the child of a land of infinite variety that he is, he tires easily and unpredictably of one political goody, and is wont to pass on with appalling fickleness to a new idol...

Author: By Michael W. Schwartz, | Title: Lochinvar Brave | 2/17/1962 | See Source »

...romantic of the old school, Oistrakh favors far slower tempos than most modern violinists, often imbues the music of Brahms, Beethoven, Tchaikovsky with the sort of kindling warmth that has reminded many a listener of Oistrakh's early idol, Fritz Kreisler. Whatever he plays-classics or occasional moderns-Oistrakh exudes conviction. "When the difficult parts come," says Violinist Francescatti, "he does not try to go around them. In fact, he shows you how difficult they are. He slows down, and this is the honesty of a great artist...

Author: /time Magazine | Title: Music: The Best Violinists | 2/2/1962 | See Source »

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