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Word: idol (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Jerome Kern (1885-1945) was, with Irving Berlin, one of the two composers chiefly responsible for establishing the modern musical as an important theatrical genre. Kern was also the major stimulus for the young George Gershwin, and has remained an idol for the still-active Richard Rodgers, who celebrates his 75th birthday tomorrow...

Author: By Caldwell Titcomb, | Title: Kern's 'Sweet Adeline' in Bright Revival | 6/27/1977 | See Source »

...fickle-hearted Tom. As up-and-coming composer Sid, Doyle Newberry is fittingly earnest, but (like most real composers) he isn't much of a singer. Russ Beasley is stiff as Sam Herzig, a producer, but he looks like any producer's dream of a handsome, mustachioed matinee idol. And Carl Nicholas brings a welcome touch of the old country to the German-born beer-garden owner...

Author: By Caldwell Titcomb, | Title: Kern's 'Sweet Adeline' in Bright Revival | 6/27/1977 | See Source »

Presleymania reigned. A frenzied girl tried to jump from the balcony to the stage. More than 13,000 other Elvis worshipers-housewives in Presley T shirts, teenyboppers, and vacationers who were following their idol on a seven-state tour-paid $10 and up for a concert in the Providence Civic Center. Paunchy and jowly at 42, the King scarcely bumped or gyrated. But just like old times, he crooned hoary favorites such as Hound Dog and Teddy Bear, and when he periodically tossed a sweat-stained scarf to the peons below, he set off a clawing clamor. A gratifying finale...

Author: /time Magazine | Title: People, Jun. 6, 1977 | 6/6/1977 | See Source »

...Dylan isn't the first idol who built a living room he could ride a horse through. Will Rogers built it and then did it. He even practiced steer roping from the exposed rafters...

Author: /time Magazine | Title: Letters, May 16, 1977 | 5/16/1977 | See Source »

From Caruso to Corelli, the Italian tenor has always been and remains music's only matinee idol. The tenors have preserved a paradoxical mystique, combining refined and vertiginous high C's on stage with crude pidgin English and fiery Latin lust off. In most respects, Pavarotti lives out this mystique, regularly publicizing his voracious sexual and insatiable culinary appetites. But when it comes to comparisons with forebears where it really counts, Pavarotti's mystique loses potency. On the subject of singing, mere mention of Pavarotti's name in the same breath as that of the illustrious Caruso and Gigli marks...

Author: By Lorenzo Mariani, | Title: A Reputation (Like Everything Else About Him), Overblown | 5/12/1977 | See Source »

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