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...vulnerability. He is a butterfly for sexual lepidopterists, strutting and jackknifing across the stage in a cloud of scarf and glitter, pinned by the spotlights. Nonresponsibility is written into his whole relationship with the audience, over which he has less control than any comparable idol in rock history; Elvis Presley, who can still tune the fans up and down like a technician twisting a dial, is the opposite. Jagger's act is to put himself out like bait and flick away just as the jaws are about to close and the audience comes breaking ravenously over the stage...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

...happen to a Cosa Nostra member, and many prefer simply to pay a fine"). In this, and in most of his other recent pieces, Allen displays a debt to the creator of the Blind Explanation, Robert Benchley ("There is no such place as Budapest"). "Benchley has become a new idol for me," Allen says today. "Perhaps because everybody else also imitates Perelman's complicated style, I've tried to get simpler, like Benchley, and to write about subjects that really concern...

Author: /time Magazine | Title: Woody Allen: Rabbit Running | 7/3/1972 | See Source »

...actually, one book haunts me: did you ever read E.M. Forster's A Passage to India? You know my weakness for India? You know my weakness for India. Maurice? To be perfectly honest. I wish I hadn't read that book. Forster has always been a kind of idol of mine. I've always loved his work. I met him at Cambridge one, had tea together. Utterly marvelous ... No. I don't think that Maurice should have been published, perhaps just not so soon. It's obviously worth publishing, that's not the point." The point is, Michael York...

Author: By Celia B. Betsky, | Title: The Compleat Oxonian | 3/27/1972 | See Source »

...Country Girl is a first-class revival that is likely to attract rapt audiences. If that happens, it will not prove that in 20 years Odets has grown in stature, but only that people tend to remain, somewhat endearingly, the same. Jason Robards is the alcoholic ex-matinee idol trying to make a comeback, Maureen Stapleton is the wife to whom he clings, and George Grizzard is the young director with a shark-toothed hunger for fame...

Author: /time Magazine | Title: The Theater: Sudsy Whiff of Humanity | 3/27/1972 | See Source »

...main stage," he said. "Who says America doesn't like poetry?" Whether or rather how America likes poetry is not the immediate question; the question is, can Yevtushenko fill Madison Square Garden as, say, Muhammed Ali has. The answer is no. Yevtushenko, whatever he is, is no matinee idol, no charismatic force and, by the way, he is not even a good poet. Yevtushenko: the name is more than...

Author: By Richard Dey, | Title: Yevtushenko: Lightweight in a Heavyweight's Garden | 2/28/1972 | See Source »

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