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...Chevalier was a partner-and lover-of the famed cabaret singer and dancer Mistinguett. Later he went on to star alone at the Folies-Bergère and the Casino de Paris. In the late '20s and early '30s he became a very highly paid American movie idol. Even Greta Garbo, for a fleeting moment, once felt that it might be nice to be with him. "Do you know how to swim, Monsieur Chevalier?" Greta asked at a dinner party in Hollywood. "Mais oui," replied Chevalier hesitantly. "Then let's go for a dip in the ocean...

Author: /time Magazine | Title: Show Business: Reserved for the Stage | 1/10/1972 | See Source »

...used to be a teen-age idol," laments the eponymous hero of Cisco Pike. Now, down and out in Venice, Calif., he is trying for a comeback, but the record companies are no longer interested...

Author: /time Magazine | Title: Cinema: Scuffling on the Fringes | 12/6/1971 | See Source »

Decherd said he was inspired in his final act by his college idol, Eric Crone...

Author: NO WRITER ATTRIBUTED | Title: Crime Wins Again | 10/27/1971 | See Source »

GETTING TOGETHER (ABC). Screen Gems and Bernard Slade, creators of The Partridge Family, are tightening their choke-hold on the teeny-bop audience. Pop Idol Bobby Sherman (Bubble Gum and Braces) is the sure draw as the composer in an unsung songwriting team. He is also guardian of his twelve-year-old sister (Susan Neher), who serves as housekeeper for him and his sappy live-in lyricist (Wes Stern), to the agitation of local social workers. The series' premise is a rather icky wicket, and Simon and Garfunkel the boys are not. But, as in The Partridge Family...

Author: /time Magazine | Title: Television: The New Season: II | 10/4/1971 | See Source »

...Between is so similar to a (far superior) classic British film that I'm surprised few have made the comparison. Carol Reed's The Fallen Idol, written by Graham Greene from his short story "The Basement Room", also chronicled a young boy's encounter with passions beyond his ken, with class conflicts in the background. Reed's film was cinematically more extravagant than The Go-Between, and it unashamedly exploited the use of subjective interludes within its plot structure. But it was not a whit less edifying for that. Reed was simply unafraid of responding heartfully to a tale that...

Author: By Michael Sragow, | Title: Betwixt and Between | 9/28/1971 | See Source »

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