Word: idolizers
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...SCATTERED selection of works in the exhibition does not show direct interrelationships. The large passage from the severe portraits of Colonial America to the abstract color of Hans Hoffman is not illuminated. Yet similar sensibilities toward art appear at unpredictable times. The oldest piece in the show, a Cycladic idol from an Aegean island in the third millennium, B. C., a work of majestic simplicity, resembles the work of Brancusi, a contemporary sculptor, who unfortunately is not in the exhibition...
...Battle. He looks ready. With melancholy eyes and a guileless face only partially coarsened by a Sundance Kid mustache, he is reminiscent of the more or less traditional Hollywood matinee idol. The resemblance ends right there. He rejects the Hollywood scene, and his conversation is a pressagent's nightmare. "Let's face it," he confides with the sort of intensity that adds volumes to every sentence. "If you want to get anything done in Hollywood, you've got to fight. It's just one big battle out there, and I don't need that...
...WHEN they break into "Carol," an old Chuck Berry number, Jagger has to work out harder than he ever had to before. He has an accomplished body, schooled in mime, and on stage he's all flash and sex, pure wildness, the natural pop idol, Neither his body not his face betray any clear sexual commitment, it's all energy, sick and mannered, a come-on for male and female alike, a ferocious invitation to a cosmic gang bang where penises and breasts, vaginas and asses will intermingle without valence. His hands are wonderfully expressive, what Attend may have...
Strong and effortless, Cragun tactfully puts a matinee idol's figure at the service of his roles, making Romeo, Petruchio and even Onegin believable and remarkably affecting. The marvel, though, is Marcia Haydée. Experts correctly point out that she is not a great dancer technically. Most would turn puce at the thought of mentioning her in the same breath with Margot Fonteyn. But few dancers within memory have projected the rangi of whims and wishes or invoked the delicate interplay of emotions that flow from the least gesture of Haydée's body, the slightest...
Died. Rod La Rocque, 70, movie matinee idol of the '20s and '30s, who rose to stardom in such silent swashbucklers as Captain Swagger and The Love Pirates, married the Hungarian heartthrob Vilma Banky in one of the film colony's splashiest weddings in 1927, and in defiance of all Hollywood tradition remained married to her forever after; of a heart attack; in Beverly Hills...