Word: idolizes
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Dates: during 1950-1959
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Author Agnes Boulton begins her story in 1917, five years after the end of Long Day's Journey, when O'Neill's first one-acters were making him the symbol and idol of the Provincetown Players. If, after 40 years, Author Boulton's memory is correct and young Eugene Gladstone O'Neill did woo and win her with the lines she attributes to him, it is no wonder that much of the story reads like a parody of Victorian melodrama. O'Neill once explained that he had trained himself as a playwright by reading...
...locked for months in bitter cold war with the Kremlin, embarrassedly denied that Nasser had gone back for Tito's advice before rushing to Moscow, insisted that Nasser must have gone ashore in Albania and taken a plane from there. The Russians, with widespread pleasure, proclaimed that the idol of the Arab masses had once again been their guest, this time to seek their help against the "American aggressors." But from Cairo came a wholly different version, indicating that Nasser's main purpose in flying to Moscow was to appeal to Khrushchev not to take any warlike action...
...things that General Charles de Gaulle has done, or not done, since he took over as Premier, nothing so riled the extremist colons of Algeria as his failure to give a Cabinet post to their burly idol, Jacques ("Le Tombeur") Soustelle, the Parisian politician who was the brains of the Algerian settlers' revolt against the Fourth Republic. When, during his first visit to Algeria, the streets rang with the cry "Vive Soustelle!", De Gaulle in his laconic and oracular way merely said: "Soustelle will have a place at my side." But it was not until last week that Soustelle...
...independence. But first he had to end the threat of civil war posed by the insurgent French soldiers and settlers of Algeria. Only the day before, Leon Delbecque, dynamic leader of the rebel junta (TIME, June 9), his once boundless faith in De Gaulle shaken by his idol's failure to name a single insurgent leader to a government post, had appeared in Paris to warn the general that unless De Gaulle revamped his Cabinet, his trip to Algeria would end in disaster...
...with an ankle injury, made his stage debut in 1916. Seeking his fortune in movies after the war, he clicked in Italy, where Henry King took him to be Lillian Gish's leading man in The White Sister. It whisked him to stardom, sent him up the matinee-idol trail (Lady Windermere's Fan, Romola, Stella Dallas) that culminated in Bean Geste. Entering talkies as Bulldog Drummond (1929), Colman soon established the cultured air of weary British dignity that became as crisp and negotiable as a sterling note. His best-known films followed in the late...