Word: idolizes
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STOPPED SHORT -- SCHWARZKOPF. That headline in the hawkish Washington Times last week stung President Bush into a mercifully brief but nonetheless unfortunate and ironic tiff with the nation's newest idol. Unfortunate because the White House cast it in terms of who said what to whom when, thus obscuring a genuinely important question: Was the cease-fire Bush ordered after 100 hours of the ground war premature? Ironic, because the White House could easily have won that debate...
...Dyck covered a lot of territory in his short life. He was Rubens' most gifted assistant in Antwerp, and his early ability to reproduce the style of his idol has led to prolonged squabbles over the attribution of some of his early paintings. What they leave no doubt of is Van Dyck's precocity, the speed with which he metabolized the lessons of his master. In 1620, when he was only 21, he was hired by King James I as a court painter in London. A year later he was in Genoa, painting its nobles and dignitaries, making study trips...
Veteran rockers Eric Clapton, Neil Young and Joe Cocker joined chart-toppers Jon Bon Jovi and Billy Idol as nominees in the best male rock vocalist category...
...first civilizations in Sumer and Egypt and uses the first written texts as a guide through early history, including the origins of Judaism with the migration of Abraham from Hammurabi's Ur. Gonick then moves from the earliest bible texts to the conquest of Saddam Husseun's idol Nebuchadrezzar to the rise of the Greeks, devoting the last two volumes more extensively to Athenian life (with much cribbing from Herodotus...
Thus Ryder the proto-Expressionist was born. He sounds like De Kooning, but actually he looked more like his idol, Corot, only denser and more fixed: tiny imploded scenes, whose glow and atmospheric subtlety were much admired in their time but can hardly even be assessed now. For in pursuit of jewel-like effects and deep layering of color, Ryder painted "lean over fat," so that slower-drying strata of paint underneath pulled the quicker-drying surface apart. He would slosh abominable messes of varnish on the surface, and pile up the pigment by incessant retouching until the images became...