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Pathology of Obsession. Truffaut dedicates the film to his idol, Jean Renoir, and The Mississippi Mermaid begins with scenes from Renoir's 1938 masterpiece La Marseillaise. There are many more affinities here, though, with the work of another Truffaut deity, Alfred Hitchcock. As Julie, Catherine Deneuve has all the frosty, mysterious elegance of such typical Hitchcock heroines as Ingrid Bergman and Grace Kelly. Jean-Paul Belmondo, as Louis, has the distinctively empathetic star quality that Hitchcock has always favored in his leading...

Author: /time Magazine | Title: Cinema: Truffaut in Transition | 4/27/1970 | See Source »

...part of the prefight coverage in Madrid's daily Pueblo, and the dramatic, portentous tone was by no means inappropriate. All Spain was indeed locked into the recent match between West Germany's Peter Weiland and the new idol of Iberia, José Manuel Ibar Urtain, 26, a heavy-thewed, bull-necked Basque whose professional record showed 27 fights and 27 knockouts...

Author: /time Magazine | Title: Sport: Boxing: Numero Uno | 4/20/1970 | See Source »

...will get to that, though. His early idol was the late James Agee, a writer who threw his talent away like a man feeding hens, but Dickey has carefully harnessed his considerable gifts. Even so, he gnaws on his will power with exhortations in his daily journals...

Author: /time Magazine | Title: Books: Everyone's Notion of a Poet | 4/20/1970 | See Source »

Back in the 1950s, when Clyde J. Key was a high school student in Fort Towson, Okla., most of the kids looked up to musicians like Elvis Presley, Fats Domino and Bill Haley. Not Clyde. His idol was Conductor Arturo Toscanini. In 1957, when Toscanini died at the age of 89, Clyde had a dream in which he came upon the old man's weeping, grief-stricken ghost in a desert...

Author: /time Magazine | Title: Music: Underground Toscanini | 3/2/1970 | See Source »

...many ways the complete synthesis of the American teen-ager's scramble from the parental nest." Of course, at an increasingly matronly 37, she will have to go beyond such material as Downtown and I Know a Place. These days she is trying to emulate her idol, Piaf. "She didn't just sing," recalls Petula. "She pulled her insides out. She got involved about people going crazy, about death...

Author: /time Magazine | Title: Television: And the Pet Goes On | 2/23/1970 | See Source »

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