Word: idolizes
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...America's air idol and far too valuable to aviation to risk an unfortunate accident. An accident to him would be a serious blow to the future of aviation, and I am going to ask him to confine his activities to ordinary flying in the future...
...year and a half she was a healthy and good natured little absurdity; then, in her second winter, some jealous deity reached out his hand toward Helen Keller. She had an illness, "acute congestion of the stomach and brain"; afterward she was as deaf and as blind as an idol. For five years, "a peevish, unmanageable little animal," she squirmed in the horror of an endless gloom. Then the wise fingers of Anne Sullivan Macy, tracing with infinite patience signs and symbols upon her hand, brought Helen Keller along a lane to light. Years later she could read and write...
...difficult for just a week's rehearsing. Therefore, Bartók played his Rhapsody. The substitution was unfortunate. The Rhapsody is 24 years old now, the product of an immature genius. Bartók the Original began like all great composers as an imitator. First Brahms was his idol, then Liszt, then Wagner, then Richard Strauss by reason of his Zarathustra, then Liszt again. It seemed peculiarly ironic last week that the Rhapsody, fruit of the Liszt influence, should have been chosen as his introduction, for the mature Bartók has now turned his back on Liszt...
Menelaos shakes hands with his subjects and, by stentorian snoring and an overemphasized case of hay-fever, blows his wife away. Once gone, she realizes that a statue is not an idol unless it has clay feet; and that men are always either snoring or boring. This cultural advance is accomplished with a great pounding of subtitles, and a cast whose gait is not always, but usually, smooth and rapid. Among its members are Lewis Stone as Menelaos and Ricardo Cortez as a sultry but persuasive Paris. Now We're in the Air. Wallace Berry and Raymond Hatton have...
...fairly weak and excellent respectively. The important thing is the stocky mercurial fellow who rides and jumps and fights (in this case using the South-American "bolas") with such irresistible nonchalance. In The Gaucho the rule holds; but Lupe Velez as "the mountain girl" steals some of her idol's honors...