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If nothing else, the practice of resurrecting films like this poses some interesting theoretical questions about authorship: who deserves credit for a successfully resurrected film like “Heaven?” How can we discuss films like this in terms of artistic intent? But as compelling as unfinished...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

“If you remove the music from it, you explain the idea of what it means to be a musical,” he says.

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: HSM Scenes | 4/20/2010 | See Source »

This is by no means Carson’s first foray into classical literature. A professor of the Classics at the University of Michigan, Carson has translated works such as “If Not, Winter: Fragments of Sappho,” and more recently, “An Oresteia...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Anne Carson’s ‘Nox’ Is a Creative Tribute and Farewell | 4/20/2010 | See Source »

It is, after all, Carson’s delicate efforts toward finding consolation that provide the driving force of her book. Towards the beginning of her journal, it seems that Carson tries to comfort herself through telling the story of her brother’s life: “My...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Anne Carson’s ‘Nox’ Is a Creative Tribute and Farewell | 4/20/2010 | See Source »

Interspersed with her exploration of the layers of her brother’s life, Carson similarly examines the layers of each individual word in Catullus’ elegy. Rather than attempting a simple translation, Carson displays entire dictionary entries on each Latin word in sequence with its appearance in Catullus?...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Anne Carson’s ‘Nox’ Is a Creative Tribute and Farewell | 4/20/2010 | See Source »

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