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...their March 17 performance, the company looked the most stylistically comfortable and vehemently committed in Jorma Elo’s “Plan to B.” Lit by a large side panel of bright white and set to rather restrained 17th-century violin music by Heinrich Ignaz Franz von Biber, the movement is rigorously athletic and ultra-contemporary, with flamboyant leaps that corkscrew in the air and hyperextended limbs thrown in all directions. Jazzy inflections color brilliant shifts in dynamic and direction, imbuing the whole piece with a kind of exuberant nervous energy. In particular, the male...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ‘Grand Slam’ Is Home Run for Boston Ballet | 3/19/2006 | See Source »

...performance is fanatical and wild--in sharp contrast to Van Cliburn's rendition, recorded after his famed competition win in Moscow in 1958, which is tender, lyrical and full of the charm that captivated the Russians. Similarly, Great Pianists traces the varying interpretations of Chopin through the century--from Ignaz Friedman (tempestuous, uncontrolled) to Artur Rubinstein (cool, modern and free of excess) to Claudio Arrau (full, rich, warm). Given enough time, this collection proves, styles have a way of coming full circle...

Author: /time Magazine | Title: Music: Piano Bravissimo | 12/7/1998 | See Source »

Hamelin is a throwback to golden age piano virtuosos--wizards like Ignaz Friedman, Josef Hofmann and Leopold Godowsky--whose keyboard pyrotechnics lit up concert halls during the first 40 years of this century. He is fascinated by the piano's expressive range, its ability to produce almost orchestral varieties of sounds and colors, seemingly bound only by the performer's own limitations. These varied works--by Rachmaninoff, Alkan, Busoni, Godowsky and others--are wickedly difficult, yet Hamelin plays them, often at dazzling speeds, with color, power, a long line and unfailing elan. He also performs three of his own witty...

Author: /time Magazine | Title: Music: The Composer-Pianists: Marc-Andre Hamelin | 11/16/1998 | See Source »

...Chorale, the piece suffers from an identity crisis, although the crisis involves the composer and not any aspect of the music itself, which remains a brilliant showcase of the woodwinds and horns. Musicologists have yet to determine whether the theme was actually written by Haydn or by his student Ignaz Pleyel. Regardless of the nature of his piece's thematic roots, Brahms effectively unearthed a simple, hymn-like melody and molded it into an intricately layered set of variations. Even if the talents of the oboe, clarinet, flute and bassoon players did receive the spotlight in most of the theme...

Author: By Andrea H. Kurtz, CRIMSON STAFF WRITER | Title: Enthusiasm, Energy Mark Berlin Symphony Showing | 3/20/1998 | See Source »

...Vogel and the Social Democrats last month. The Chancellor has also put his own stamp on the new coalition government, a Cabinet of eight Christian Democrats, five Christian Socialists and three Free Democrats. There were only two new faces: Christian Democrat Heinrich Windelen (Inter-German Affairs) and Christian Socialist Ignaz Kiechle (Agriculture). Most significantly, Free Democrat Leader Hans-Dietrich Genscher stayed on as Foreign Minister. A man who coveted that job-Franz-Josef Strauss, the right-wing leader of the Christian Democrats' sister party in Bavaria, the Christian Social Union-thus remained without a portfolio in the national government...

Author: /time Magazine | Title: West Germany: Greenhorns | 4/11/1983 | See Source »

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