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...sensational new ballet. The ballet, put on by famed Russian Impresario Serge Diaghilev, was something to see: Diaghilev's idea of how primitive man got ritually excited, come springtime. The accompanying music, a boisterous, tom-tomming, banshee-wailing symphonic hullabaloo by Music's No. 1 Bad Boy, Igor Stravinsky, had even more oomph than the ballet...

Author: /time Magazine | Title: Music: Musical Count | 3/11/1940 | See Source »

...most fought-over composition of the 20th Century. One English critic described it as "a threat against the foundations of our tonal institutions," declared that it should have been dedicated to Dr. Crippen, a dentist celebrated for murdering his wife, cutting her body in pieces. But dapper, energetic Igor Stravinsky found himself the most influential composer of his generation. To younger composers the Sacre became music's Declaration of Independence. By 1920 nearly every musical youngling was throwing over his counterpoint for Stravinskian grunts & groans. To be caught in public with a pleasant tune was as embarrassing...

Author: /time Magazine | Title: Music: Musical Count | 3/11/1940 | See Source »

Like his good friend Painter Pablo Picasso (who invented and then threw over cubism), Igor Stravinsky soon abandoned his followers. He took to ransacking 18th-Century fugues and roundelays, writing distorted imitations of Bach and Handel. None of his later compositions created anywhere near the fuss & feathers that the Sacre did, but Stravinsky remained the greatest ballet composer of modern times, and one of the half-dozen most important symphonic composers of the 20th Century. With audiences nowadays he is popular chiefly for two early ballet scores: Petrouchka (1911) and the orchestral suite from his fairy-tale ballet The Firebird...

Author: /time Magazine | Title: Music: Musical Count | 3/11/1940 | See Source »

Though the Bolsheviks in his native Russia hold him in great respect, Igor Stravinsky has become a Frenchman. Though he has a home in Paris, he travels restlessly and incessantly, spending much of his time in the U. S., where he lectures and teaches a composition seminar at Harvard University. A hypochondriac, afraid of the cold, he bundles himself to the ears when he goes out walking, does muscle-flexing exercises before an open window when he gets up, recently cut himself down from 40 to five French cigarets a day, worries about his own and everybody else...

Author: /time Magazine | Title: Music: Musical Count | 3/11/1940 | See Source »

...take it out of Italy with him during World War I, Italian police, deciding that it was a plan for a fortification, detained him at the border. Descendant of a long line of Polish aristocrats who moved to Russia in the 18th Century, his full name is Count Igor Feodorovitch Soulima-Stravinsky...

Author: /time Magazine | Title: Music: Musical Count | 3/11/1940 | See Source »

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