Word: iii
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Dates: during 1950-1959
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...calls for the application of moral pressure. Unofficially, even here at Harvard, reactions generally seem to fall into two categories. One, "Yes, it's all very sad but what can we do about it?" The other, "Any action on our part would be a direct invitation to World War III." Taking each in order, let us try to see what we might be able to do about it, for something, we believe, must certainly be done...
GroupMidyear Exam I January 29 II January 28 III January 21 IV January 18 V January 23 VI January 24 VII January 22 VIII January 29 IX January 29 X January 19 XI January 26 XII January 25 XIII January 30 XIV January 22 XV January 19 XVI January 19 XVII January 24 XVIII January...
Slumping softly onto the runway of Portland, Ore.'s International Airport one afternoon last week, the arriving Columbine III coincided with a meteorological shift to fair weather. A hard rain stopped, blue sky reappeared, and the sun peeked out over Portland. For hard-running Oregon Republicans, like their brothers in Minnesota, Washington. California and Colorado, the pulse-quickening presence of Dwight Eisenhower made the political sun shine-a little brighter...
...proudest Daughters of the American Revolution had suddenly been told that their ancestors were all spies in the pay of George III. "It doesn't make the slightest difference whether a great family took part in the Crusades or not," said aristocratic Count Emmanuel de Las Cases. "It is still a great family." But very few French aristocrats were able last week to put so brave a front on the matter. The fact was that the patrician pedigrees of 250 aristocratic families had just had a great fall...
...first Aida at La Scala in 1950, she startled the crowd by stalking about like a hungry leopard instead of taking the usual stately stance for her Act III duet. In the death scene of Fedora, in which sopranos tend to expire stiffly on a divan, Callas staggers from it, sags to her knees, drags herself up, crawls towards her lover's room, collapses again before she finally rolls down and dies. In Norma she has cried real tears. Operagoers. long reconciled to the classic, three-gesture range of other prima donnas, are astounded and delighted...