Word: iii
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Dates: during 1960-1969
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...famous periodic exhibitions fell in the same year that London's Tate Gallery put on its bold survey of a decade of invention. That exhibition introduced a host of young Londoners. Venice's 32nd brassy Biennale gave official acclaim to U.S. pop. Germany's didactic Dokumenta III then launched op. The 43rd Pittsburgh International, better known as the Carnegie, fails to find any new avantgarde, but makes up for this lack with a rich platter of hearty helpings: 401 paintings and sculptures...
...that a commendable organization was "dropped" from last year's list. We want Harvard and Radcliffe students to know that we are aware of the arbitrary nature of our decision, and that we therefore do not claim that any charity not recommended by us is untrustworthy. Benjamin F. Stapleton, III '65 Chairman, HRCC Drive Charles M. Stern '65 Vice Chairman for Research
Five seniors have been nominated for Danforth Graduate Fellowships by fessor of the Civilization of France Laurence Wylie, C. Douglas Dillon Pro-and Danforth Liaison Officer for the College. The are Peter M. Briggs, Donald G. Marshall, Miles Morgan, Henry F. Smith III, and Peter W. Williams...
State Sen. Francis X. McCann (D-Cambridge) and State Rep. Levin H. Campbell III '48 (R-Cambridge) played the third act of their protracted campaign debate before a large and attentive Harvard Square audience last night...
...work as visual research. Their influence has given birth to optical artists in a dozen countries, from Israel's Yaacov Agam to remote Iceland's poet-painter Diter Rot. Last summer the pavilions at the Venice Biennale and the attics of Germany's Dokumenta III dickered and chattered with electrically driven, and even electronically musical, kinetic op. At the square root of op art are the essentially static visual phenomena that enslave and enthrall the eye. The op artist's job is to turn those illusions into sleights of art. Some examine the way a single...