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Blue Denim is twin-burner drama: Arthur's relations to his girl provide the plot; his relations to his family, the basic problem. For though clearly the young lovers had far better have stayed apart, the play in the final and family sense is a lament for untogetherness. It...

Author: /time Magazine | Title: The Theater: Slew Play in Manhattan | 3/10/1958 | See Source »

Rich & Bright. First the old palace roof was torn off and a three-tiered system installed in its place. At the top is a glass covering (cooled by water jets in summer). Beneath are set a series of aluminum louvers automatically regulated by a photoelectric mechanism that opens them to...

Author: /time Magazine | Title: Art: MUSEUM FOR SEEING | 2/3/1958 | See Source »

Taking the keys from easygoing, Arkansas-born Ed Stone, Hanisch made his way inside to an even bigger surprise. Instead of the confined central shaft that he had seen in the early plans, he found himself looking out over a spacious patio or Roman atrium, a sort of immense Pompeian...

Author: /time Magazine | Title: Art: Palace for Pills | 1/20/1958 | See Source »

¶ Turkish Composer Nevit Kodalli's announcement that he was planning to put Vincent van Gogh on the operatic stage at first brought howls of protest from critics who believed that it was his duty to choose a Turkish theme. But most criticism ended with the first performance in...

Author: /time Magazine | Title: Music: Spring Opera | 5/20/1957 | See Source »

Long Day's Journey into Night, Eugene O'Neill's unsparing levy on his own darkened past, may constitute his most substantial legacy to the American stage. Reaching Broadway 16 years after it was finished and three years after his death, this relentless chronicle of O'...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 19, 1956 | 11/19/1956 | See Source »

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