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Word: illusionality (lookup in dictionary) (lookup stats)
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No individual hero is celebrated in The Four Days, no single villain vilipended. The hero is Naples, the villain is war. Director Nanni Loy, a 37-year-old Sardinian whose two previous pictures attracted little attention, set out to record a mass movement, and he has done so with stunning...

Author: /time Magazine | Title: Cinema: Vulgarian Victory | 3/15/1963 | See Source »

Loy's camera contributes equally to the illusion. With the help of a telescopic lens it plunges the spectator like spaghetti into the boiling core of every battle-he goes in stiff with tension and comes out limp with fatigue. It holds him still and explodes a mob in...

Author: /time Magazine | Title: Cinema: Vulgarian Victory | 3/15/1963 | See Source »

In this sort of book, there is no total to arrive at. Nothing makes any waking sense. But it makes a powerful, deeply disturbing dream sense. Nothing in the book seems to have been thrown in arbitrarily, merely to confuse, as is the case when inept authors work at illusion...

Author: /time Magazine | Title: Books: A Myth of Alligators | 3/15/1963 | See Source »

The plot is unimportant: an old guard (Walter Macken) and a young guard (Patrick McGoohan) wait tensely for a reprieve to arrive for the quare fellow (prison slang for a condemned man), and when it fails to arrive they lead him grimly to the gallows. What matters is the compelling...

Author: /time Magazine | Title: Cinema: A Hanging Matter | 3/8/1963 | See Source »

The Elusive Corporal. "The young man who has not wept is a savage," said George Santayana, "and the old man who will not laugh is a fool." In Grand Illusion, made in 1937, when he was 43, Jean Renoir wept for the worlds that die in wars. In Corporal, made...

Author: /time Magazine | Title: Cinema: An Old Man Laughs | 3/8/1963 | See Source »

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