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"You have to understand that white South Africans, particularly those of English extraction, find it very important to maintain the illusion of justice." Says Gomes. "To the extent that jurisprudence works, we work it."

Author: By Antony J. Blinken, | Title: Fighting the Just Cause | 9/15/1983 | See Source »

"You have to understand that white South Africans, particularly those of English extraction, find it very important to maintain the illusion of justice," says Gomes. "To the extent that jurisprudence works, we work it."

Author: By Antony J. Blinken, | Title: Fighting the Just Cause | 9/12/1983 | See Source »

As Art Historian Irving Sandier remarks in his catalogue essay, Pearlstein "resumed what an avant-garde some three-quarters of a century earlier had proclaimed to be academic"-modeled painting of the naked human body. The studio nude, posed, had been the very protein (or, to its detractors, the basic...

Author: /time Magazine | Title: Art: A Roomful of Naked Strangers | 8/22/1983 | See Source »

> Bradley Feige, age 11½ months, is sitting on a glass table at U.C.L.A.'s Child Study Laboratory. "Come here, Bradley, come here," his mother coaxes from the other side of the table, about six feet away. At her end, the cloth material under the glass top suddenly drops...

Author: /time Magazine | Title: What Do Babies Know? | 8/15/1983 | See Source »

The film resembles an intricately stitched tapestry, every new layer and angle reveals more about the lives of three generations of the Ekdahl family. And as every strand in a tapestry contributes to the overall scene, every character in the immense family structure retains his individually but it is subsumed...

Author: By Rebecca J. Joseph, | Title: Tapestries of the Spirit | 7/6/1983 | See Source »

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