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Word: illusioners (lookup in dictionary) (lookup stats)
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HOLLYWOOD OF THE 1930s is a vast, vulgar and meretricious beauty, and Monroe Stahr, boy wonder, is at her service. Stahr's business is making pictures, transmuting the dreams of Depression-deadened America into vendable celluloid. His is an Horatio Alger story with an F. Scott Fitzgerald twist, a saga...

Author: By Julia M. Klein, | Title: Movie-Making | 3/17/1977 | See Source »

DESPITE ITS FAILINGS, one thing The Last Tycoon as a movie manages to do that the book cannot is to actualize the metaphoric connection between cinematic illusion and real life romance. As a producer, Stahr feeds a dream-starved audience "movie movies," where the hero is brave, the heroine is...

Author: By Julia M. Klein, | Title: Movie-Making | 3/17/1977 | See Source »

The point is clear: Stahr has tried to impose the structure of movie romance on an unromantic reality. His mission has been that of the artist, to bring order out of the chaos of everyday life. Kazan and Pinter have similarly attempted to give cinematic order to Fitzgerald's muddled...

Author: By Julia M. Klein, | Title: Movie-Making | 3/17/1977 | See Source »

There are confrontations with 1930s left-wing intellectuals and de facto existentialists of the wartime '40s. There is Jed's marriage to an unnervingly placid girl from North Dakota who dies young of cancer. The longest and best-furnished setting of the novel is Nashville, Tenn., during the...

Author: /time Magazine | Title: Books: Sacred and Profane Grit | 3/14/1977 | See Source »

An imaginative production might have rescued the good and masked the bad in this 80-year-old drama. Director Ellis Rabb reverses that equation, how ever; his Caesar and Cleopatra is as dull as it is dutiful. Scenes change with astonishing rapidity, but the action seems regulated by an hourglass...

Author: /time Magazine | Title: The Theater: Platonic Exercise | 3/7/1977 | See Source »

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