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Word: illusioners (lookup in dictionary) (lookup stats)
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King Kong. Harvard Square, 3:25, 6:35, 9:50, 9:50. With Rashomon, 2, 5:10, 8:25. Through March 10. Jules and Jim, by Truffaut, 2:15, 5:55, 9:35, with Grand Illusion, Renoir, 4:05, 7:45, beginning March 11.

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/9/1972 | See Source »

As both a Cartesian and a sensualist, Matisse wasted nothing. Feeling, for him, included a great deal that flat paint could not convey-notably the awareness of thick, monumental volume, of the thrust and jut of shapes by which human frames state their energy. The proper vehicle for this was...

Author: /time Magazine | Title: Art: Matisse: A Strange, Healing Calm | 3/6/1972 | See Source »

HAVING LEARNED the language of pictorial hieroglyphics, Picasso elaborated his games with perception by dropping words and letters into his pasted or painted collages. Grouped together they form a telegraphic narrative of Picasso's life in Paris; "Pipe, Glass, Bottle of Rum" (1914) or "The Architect's Table" (a fitting...

Author: NO WRITER ATTRIBUTED | Title: Museums Are Just A Lot of Lies | 3/6/1972 | See Source »

Perhaps Henry IV should be more moving but if so I don't know whom to blame. A play whose theme is madness and the illusion of really should not be as easy to brush aside as this production. When Adams House did Marat-Sade two years ago it was...

Author: By Whit Stillman, | Title: Henry IV | 3/4/1972 | See Source »

ONE IS STRUCK by a sense of other-worldliness upon entering the Briggs pottery. The sense of illusion is further heightened if it's two in the morning and several people are quietly making pots. And yet, for almost 100 people, the pottery is a world which offers direct involvement...

Author: By Margaret S. Mc kenna, | Title: Tortured Turns of a Potter's Wheel | 3/4/1972 | See Source »

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