Search Details

Word: illusioners (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Some artistic incarnations can be dangerous to the incarnator. Eugene O'Neill's father James was a talented actor who played the Count of Monte Cristo so many times, and so lucratively, that he ruined himself for anything else. He became the part. The illusion that was his success (the...

Author: /time Magazine | Title: Invasion of the Body Snatchers | 4/18/2005 | See Source »

The arguments for and against a pull-out by U.S. companies from South Africa, often called disinvestment, are more complex. In the view of many advocates, the hope that U.S. investment would spur an economic advance that in turn would undermine apartheid has turned out to be an illusion. "Since...

Author: /time Magazine | Title: South Africa: Apartheid's New Upheaval | 4/12/2005 | See Source »

CNN has done a better job of reproducing the intimate intensity of King's radio program. He appears on a starkly decorated set, sitting directly across from guests who are shot in what may be the tightest close-ups on TV. King's warm radio baritone is less enveloping on...

Author: /time Magazine | Title: Video: Nighttime's Master of the Mike | 4/12/2005 | See Source »

The basic techniques by which this translation is accomplished were laid out in the late '60s and early '70s by two University of Utah professors, Ivan Sutherland and David Evans, in fulfillment of a contract for the U.S. Department of Defense. Their task: to build a flight simulator for pilot...

Author: /time Magazine | Title: Computers: Artistry on a Glowing Screen | 4/12/2005 | See Source »

Spider Woman was filmed in Brazil (in English), directed by the Argentine-born Hector Babenco from a script by the American Leonard Schrader and a novel by the Argentine Manuel Puig. This time the artistic melting pot bubbled to perfection. The film's gaudily stylized performances (notably Hurt's, which...

Author: /time Magazine | Title: Cinema: Crosscutting Across Cultures | 4/12/2005 | See Source »

Previous | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | Next